A Reason is Found to be Absurd
Empiric: The week is going quite, or better to say, a pause. A week and the twisted thinking of the dreams. Presented in the comic “Amongst The Frames,” featured as a completed page. Along with that, the completed pages of both Away-Ink and The Clone Did It will run as the panels got twisted, not sure which page is the right one. So run till the most current in the work to build the pages out. It’s a bit absurd to take a break to reflect on the work, as it’s been some time since the original running of the daily, that a To-Boga (to back of get it all) has been done.
Dusty: Right, like the comment about the absurd theatre isn’t ringing in the back of notes to run alongside this pause in the work. where Samuel Beckett was cited as an influence, with the two heroes of Waiting for Godot, for instance, frequently referred to by critics as tramps, yet they were never described as such by Beckett. Just merely two human beings in the most basic human situation of being in the world, and not knowing what they are there for.
Since humans are rational beings and cannot imagine that their being thrown into any situation should or could be entirely pointless, the two characters vaguely assume that their presence in the world, represented by an empty stage with a solitary tree, must be due to the fact that they are waiting for someone. But they have no positive evidence that this person, called Godot, ever made such an appointment, or actually exists.
Bessie: In the work of absurd theater, and to echo The basic questions for Beckett seemed to be these: How can we come to terms with the fact that, without ever having asked for it, we have been thrown into the world, into being? And who are we? What is the true nature of ourselves? What does a human being mean when he says “I”?
Bard: What appears to the superficial view as a concentration on the sordid thus emerges as an attempt to grapple with the most essential aspects of the human condition. Which would play into the post-world war 2 disillusionment with traditional values and beliefs. Where Philosophies of the human condition in a seemingly purposeless world?
Empiric: The theatre of the Absurd influence continues to permeate modern times, even outside of the work here. A significant string is telling to add complex and perplexed thinking to the mind. And so far, the first four pages to be added to the work here are the start to the comic of Away-Ink: Becoming the clown Bonkers. This will be the case for the first 22 pages presented in the work. As the change of the page size was first done for Away-Ink to a 14×17 page, divided into 9-panels comic. The layout is the same as Amongst The Frames. 11×14 page divided into a 9-panel comic.
Bard: Woot! time for the dreaming conversation of the work. It is in this part of the work where the dream meanings are twisted into a neatly formed recap of the work. The depiction above, without the words, shows blocked ears. avoidance of the main characters of Amongst The Frames No and Steel are avoided, and sometimes denial of the comic outright happens.
Dusty: Woot call backs to the rest of the work, which is a needed thing for the work. Where Bleep was scared by a shadow on the wall and decided to join Blank at the cafe, as the shadow was overwhelming, or a communication struggle. The point of Bard’s information is hard to process.
Bessie: The food being tossed to the hungry belly of No is a key factor for the suppressed emotions of No.
No: What is going on here?
Vaticinator: Nope, not happening in this comic, sorry, the door is this way.
Bard: The space is protected from the two! Sorry Steel.
Steel: Nope, that is okay. Understand No is a lot.
Empiric: In the last few pages of Away-Ink, the few pages that got a gif treatment were seen. The current above is a bit of a middle set of comics between the test run and becoming the clown bonkers string titles. and the 8th page that was completed for Away-Ink, while the second dreaming means from Amongst The Frames of a hungry Belly, which will get the twist treatment.
Bard: A dream that could point to an overwhelming stress in life, or an unmet need that is the dream’s choice. What was the physical or spiritual state of the body when reaching the bed? For Steel, it was the lost feeling growing with the crows starting to watch the progress.
Bessie: Well, it does lend to the overlooked in the pairing with No in the few interactions before the path. Emotion is the thinking applied to Steel’s Dreaming experience. As the current path De’gui places Steel on, is leaving a sense of dissatisfaction. But then aging does go to the mind of Steel, the main character of the dream. And while No is still in the dream, it’s in the background.
Dusty: Avoid the philosophy of linking the gut to inner voice or gut feeling being ignored, as it’s the stomach or the instinct and intuition. That should be the given point since the Puzzle box today started with the Theatre of the Absurd.
Bard: What if the dream is recurring, with the hunger persists without satisfaction?
Empiric: That could be tying the points together, if the hungry feeling is considered a driving factor to the progress want to be made. As the empty belly leads to thoughts about the progress in Life especially if the hunger never leaves a chuffed eater to be had in the dream.
Where the food does come through the door is in the pages of the test run title comic, where a vendee walks through the door with a pizza box acting as a tray for the cyclorama be carried. The height chart of the ants’ customs to find the right size for a giant, so the test suggested by Mitchel can be conducted. and the tape that showed Inkle arriving at the cage of La Tinta comic panel that was 18-comic panels at most on an 11×14 page. As the methodology of blending panels into a single panel was used a lot.
Dusty: Now, for the puzzle box being presented, the unaired panels of the work for Amongst The Frames. A peek at what is to come. Where De’gui decides to enter the dreaming minds of the two characters, believed to be the power of the Elk Wood Estate.
Bessie: A crow in a dream is a powerful symbol of transformation. What kind of hidden knowledge is uncovered that needs to be confronted? In the nethermost parts of the mind’s unconsciously known without knowing, but that is just, if the dream is a crow.
Bard: Coupled with the meaning of dancing, the change is a positive transformation. Where the power, in this case, for Amongst The Frames is the wakening of Steel and No. The embracing nature of steel to the flow of things will be needed.
Empiric: the completed pages that are added in between have echoes of the dream’s meaning. Bleep and Blank are added to give the comics a bit of a punch-up in the work presented. The walk and talk ends with the conspiracy theory of the camera flowers being used. While the testing for the pet was pushed to the limit in a cyclorama.
Bessie: To clear up Cyclorama and the cage. Cyclorama is a pet of a vendee, and the cage is owned by OEB.
Empiric: Now, the last page of the dream meaning for the pause this week. The door in the woods. Well, this would be a door in the mind’s woods that needs to be negative. The chase of the dancing crow was guidance for Steel and No. The question is this in the first page, the door was closed.
Bard: The locked or closed door in a dream is the internal barrier that gives pause or hesitation, fear, or the need to take an initiative step.
Dusty: Allow the now unlocked and open door be slammed in the face of the bard. to show the shut-out feelings. and the action allows the Segway to open a door as the two show personal growth. Bard’s progress can be good or bad. In the depiction, the growth is good. So, the once shut is now open.
Bessie: Even if presented in a mean way, the new open door in the dream presents the opportunities for the readers so far in the work.
Empiric: Not going to call out the support just yet, as there is the factor of the completed pages to be finished. As the transition of the test run string and Unrevealing… The mystery of the red-tailed panda is the artworks in the completed pages, where the biggest GIF made for the trawlers’ short string told by Terry to the vendee, grouped in the No Tapping store.
Dusty: Along with the aftereffects of the tested subject of moving the cabin to another cyclorama, where the mind does get a jarring feeling for the comic panels, as the next few are not in a flow or telling the string as it does in Amongst The Frames. This means pages 18 through 22 need to be read in the comic presented format. Otherwise, it could be misunderstood. In the same way, the string being told could be misunderstood by the reader of Unrevealing… The mystery of the red-tailed panda.
Bard: It does become disorganizing piece of work. Then again, the string is being told by Cohen. So, the rotation of the perspective points and the liminal spaces of the office and courtroom halls and fronts of the buildings could be those transitions in the string, so the twisting of the string is done in the right way.
Bessie: Thankful it brings the work to the point of the transition to the clone did it. And a switching of the artwork to a more boneless style of art. where blackout lines are toned down and forgotten. The “edge lord,” art is started.
Dusty: Edge-lord, more misshapen at times, taking the bones way, challenged the art to step up more to be better. The first try of the fading old way was a puzzlement for two of the puzzle boxes so far.
Bard: The last gasp of the clone did it, comic artwork. Comes at the end of the first book. finishing the 80-page book of 11×14. and jumping to 14×17. The comic still uses the tactics of the other comics and has switched the presented format of the work a few times by this point. In the same Away-Ink switched its format for three comics to a single comic. that blends the three comic panel fiefdoms to a single comic that is enjoyable.
Dusty: The difference in the work is seen in the next entries of the Away-Ink completed pages. The absurd way the comics need to be tinkered with and changed to give the steps into a fiefdom a different appearance, and change the thinking of each titled comic in the puzzle box.
Bessie: Just the conversation had from the theater of the absurd down to The Clone Did It. The task of pausing but adding to the work. Where changes are seen, the challenges are met and the levels are jumped because the stumble in the challenge helped the artwork be more. So, as the say was cut off before to the readers this far in the work…
Empiric: To take away Bessie’s ending. The transitions of the work are being made for the weeks to come to an end for the puzzle box. Thanks for the time and read of the work, grateful for the support. And the completed pages will have links added to them going forward for the pages that fit it best.
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