1st piece of puzzlement: A dark forest, or is it? – Inked path: How is a Tunnel, Strings One Guided Path?
Away-Ink: Becoming the clown bonkers
Mitchel: Is the movie to be finished, or something else about to happen? Terry: Yes, the movie is finished. The plotting of the new cyclorama and the associated writing work can be reviewed. With the cyclorama getting back to normal. Inkle: Is it the weather or the setting of the tank? What is normal to be used for? Terry: The weather automatic has been running since the cyclorama was replaced with the bigger cyclorama in the basement.
Vaticinator: That was done by a worker very quickly. Terry: would go back to the first place, and even before the store was above. The workers worked an entire night to replace the cyclorama. But the first one took many nights to be done, as the digging underneath the streets had to be done as quietly as it could be. Mitchel: A chance at getting the twist of line, and this has a bit of history, too. The tunnel has to stay underground to keep out of the public’s eyes. Watchfulness of the ongoing in the space that is lived in.
Terry: Thanks for the heckle. That is true, though. There would need to be a way around the problem provided. So, having to find a new way to make the tunnel was found. Even though just above was just a patch of dirt. That was starting to be used as a sandlot. OEB had to step in and make sure that would not happen. The cage that was filmed was ahead on the path. The string was muddled as the action was going on, and the path was nearly lost.
Inkle: Is there a case in point to prove the thinking? Terry: In the mornings before coming into work, there are two Trisects that sit on a bench having a conversation that never seems to end, and are always ear-grabbing. Though the listener of the words is not offensive to the two, and the ear grabbed is included in the conversation the two are having. At least from time to time, which is how it goes.
Vaticinator: Would these conversations bring the thinking of the cyclorama to a pointed vision before heading to a basement, as earlier the conversation was around the size difference from the perspective of size? By comparison of the pets’ size being 5 mickeys, which is the size that .0000000005 of a meter, to the Trisect’s size or sorry measurements used. Mitchel: Missing out on a movie to talk about the small things that will get overlooked by any pet cause, there’s no way of knowing more. Unless there is a pocketed fiefdom that is fully controlled by one of the three to keep the memories of the pets clear of the information not wished to be had.
Inkle: Though the complaint is a try to refocus the attention back to the screen for the last part of the movie. It must be said that it would be the best thing to be said by Mitchel at the moment. It’s the attention to the details not being paid that allows things to be hidden. Mitchel: Have a few points. Since these points have yet to be stated. It should answer why the movie is enjoyed more. Inkle has yet to figure out the look of the uniforms for the ants, but the costumes are somewhat figured out, and the size was compared to the frozen La Tinta, which was taken. While the cyclorama is almost set to the right way for the pets to be placed. The walk away from here is a nice way of working, being pushed by Terry instead of saying time for the slaves to be rolled up and the cyclorama to be put together by the teamwork. Vaticinator: the fun of a wind reader.
2nd piece of puzzlement: A dark forest, or is it? – Inked path: How is a Tunnel, Strings One Guided Path?
Used Or Not: An art break, down by Olsen
Allow the eyes to open and see what is above the first part, to catch it will be the shadow dance along a wall. The distortion between the two figures leaves a mystery for the mind to play out. Is this the point at which a shadow leaves the body of the owner to be chased? Given a moment to think, the eye starts to drift down the path; some buildings to the back are hard to make out. So, the calmness takes over, and the first sight is placed as the center, and the path the figure should have walked down is taken. The rock formation to the left is seen and catches the attention, and climbing it to the hazy view from the top of the cliff eases the mind. Allow the other part of the wall to be scaled way down to the formidable looking power to the right of the panel, pushing things away. This brings the panel to a close this time for the breakdown of an art piece.
3rd piece of puzzlement: A dark forest, or is it? – Inked path: How is a Tunnel, Strings One Guided Path?
Late to the party
The truth of being late this time, please? It was a long night this time, and finding a path through the trees was a bit of a harsh way to walk without a sword in hand to chop away the brush that hit the face. Though the sun was soon to rise the and the darkness hid the path from the eyes, a way out was found, and not to be of foul smells, a shower was taken, and the way here was made. Even if the place is reached. Time was not defeated. This misplacement left time to be wrong. Sorry, till the 4th dimension can be figured out. Having to move back in time, be an easy thing. Go and make! Bread. So glad the time was adjusted, so never really late.
4th piece of puzzlement: A dark forest, or is it? – Inked path: How is a Tunnel, Strings One Guided Path?
The Clone Did It: The Five Missing in Baby Lake
(Phone call of three) Jenny Homes: There is only a wondering of what happened that night, Empiric and Boss. What happened? When speaking with an agent, there was mention of the two from the Shadow Park. That went for a run, which is the call that lands on the desk of the BIA and a tip to Boss’s desk. Then, while here, the high-profile article line starts, and the two are dropped off, after Jothan Low goes missing. That seems to cover up the fact that two others have gone unaccounted for from work at the docks. Going there in the next steps to see what can be found. This could be the right way to build the article line. Empiric: What eccentric thinking is placed on it? As the first missing case is covered up, the Low’s article line. Is it best to chase?
Jenny Homes: After hearing the yarn of the water, where those talking to a stranger go missing, a simple enough moral. Though if the yarn is used to build a show, it could be the needed thing to get the desired views. Even the connection made with the newly hired HR for Muda Inc. is at a standstill. Empiric: Not to put the eggs in a single basket, then, the next article line needs to be more. A string that causes a stair of the others to yell. Boss: Be both the last report was the B-Ball string to turn the connection to being a trusted source. Use the thinking given to script it better.
Boss: That turns the view count higher. Having and being dexterous enough to cover all the moving parts. That is the helping hand now to fight better. Now, a hint. Don’t pull from things past. Use things looked over. Jenny Homes: Thanks for that, Boss, but the other two are the article line, while the news covers only Jothan Low. The article line from and by “The Wording,” ensuring the trusted source title, will be the call of all the names assumed to be missing, not just one. Empiric: Then what is the build after?
Jenny Homes: Not sure. If the HR team is worth the time, it may need time. Boss: Have A good show ready with no mistakes. As there was a mis-cut on time in the last one. Jenny Homes: A small move to gain more. Bloopers always get more traffic. Boss: Too many turns it into a laughingstock. Just be mindful of that. CLACK! Jenny Homes: Guessing the thinking was a bit too much. Empiric: Not sure why the push was that way,
Empiric: What is being done? Jenny Homes: Try to see if the thinking is stolen. If the old yarn is used on random radio, the thinking is that the work is only to steal from The Wording.
Empiric: What does it mean? Jenny Homes: The choice can be clearly made to walk away. Empiric: Undoubtedly to one mind, but be mindful of land mines going forward. Jenny Homes: With the yarn flowing over the pieces of the article line, which is true.
Puzzlement
5th piece of puzzlement: A dark forest, or is it? – Inked path: How is a Tunnel, Strings One Guided Path?
The Quibbles of the Scribbles
Bard: After the deep dive into the comic history last week, the thinking of the comic going forward is going to be a bit different.
No: A bit different way would it have to be different? Steel: That was Bard’s try to set the last part of the inked path: the dark forest. Is that right? Isn’t it trying to be done, Bard?
Bard: Guessing the door opened up again? Great been a while since there was a visit from Steel and No.
No: The face of the puppet was… Oh!!! Right, that was a fun time when the puppets all visited the cabin.
Amongst the Frames: In the house
Bard: Would there be a doorway out that could be made? C-C-l-ick OH, A picture of a park.
NOPE! It’s not a park.
Bard: Is there a bite being had in the kitchen? Would enjoy a snack. GROW Such noise should be answered with. A turn away and walk away.
No: Hey, the inference is seen. Bard: Not even a Snack is worth it. Steel: What kind of snack would beat fear?
Dusty: There’s a Good chance to see a panel set up close to older comic strips. Bessie: Thanks for allowing the time to search for Bard here. Steel: Not searching for the Bard. Went out the new back door after.
Bessie: That. Sounds. Awesome to see. Is No still trapped on the staircase? Dusty: Do not have all the time in the Panels here.
Dusty: The woods are large. Bard: Stairways are not monsters. Stairways are not monsters. Stairways are not monsters. Bessie: Oh, look at the new door.
Dusty: thought it fun to relive a long-ago time back to the now, and now please. Bessie: Now, back to the answers. Steel like to ask a favor if that is okay to be asked. Would a door be able to be placed that can be used once after leaving, or would it be outside the skill and still need to be learned? Steel: No need to learn more. It can be provided with ease, but why the ask? Bessie: Thinking that would be the best way to get the answers by guessing what a throwaway line of the puppets was providing in the one comic. It shifts the work and provides a different way for the comic strips to be seen. And the changes are slowly being made for the work to be better. Empiric: Hope the pay doesn’t change with the shift of the hosting.
6thpiece of puzzlement: A dark forest, or is it? – Inked path: How is a Tunnel, Strings One Guided Path?
Bessie: Still, the host just needs a better manager to run things. Dusty: To the readers this far, thanks for the time and read of the work, and as always, grateful for the support of the work. Bessie: Thinking that would be the best way to get the answers by guessing what a throwaway line of the puppets providing interviews. In the one comic. It shifts the work and provides a different way for the comic strips to be seen. And the changes are slowly being made for the work to be better. Empiric: Hope the pay doesn’t change with the shift of the hosting. Bessie: Still, the host just needs a better manager to run things. Like the late to the party is kind of feeling off, may need to change it a bit. Empiric: guessing there is work to be done. Dusty: To the readers this far, thanks for the time and read of the work, and as always, grateful for the support of the work.
EMPIRIC: Welcome back, readers—today, instead of a comic strip post. The post will be… Examining the comic strip history line from its golden age beginnings to its transformation into the modern comic book medium. The data tells a fascinating story of technological, economic, and cultural shifts that fundamentally altered how the comic was consumed in sequential art history.
DUSTY: Oh, another “fascinating” decline story! Can the truth of what happened to a newspaper comic strip be told? CORPORATE GREED happened! The same destroyed everything else worth a damn in this country and decided that comic strips took up too much valuable real estate. Why give artists a full page when there can be more cram-in, as in three more ads for garbage that’s not a need?
BARD: Now, Dusty, while passion illuminates important truths, let it be remembered that the comic strip’s evolution also represents humanity’s endless creativity, adapting to new forms. Like a river finding new channels, beloved sequential storytelling flowed into comic books, graphic novels, and webcomics.
BESSIE: Why read a daily comic strip when flipping through a whole comic book in ten minutes can be done? Instant gratification killed the slow burn of newspaper syndication history. Consider the waiting around for the comic to drop, and hoping the mind didn’t forget the connection of the jokes.
EMPIRIC: Turning to the first establishment of the line of history with facts. The history of comic strips begins with Richard F. Outcault’s Yellow Kid in 1895, widely considered the first major American comic strip. This marked the beginning of what is now known as the Golden Age of comic strips. But here’s the data that might surprise you—newspaper circulation in 1900 was only 15 million dailies. By 1930, it had grown to 40 million, largely driven by comic strip popularity.
DUSTY: The Yellow Kid – and there’s the first clue about what was WRONG from the start! Even in those days, what could be a hit to the emotions, publishers thought would sell papers, was done. But hey, at least back then. It was ADMITTED what was being done instead of hiding behind focus groups and market research! And get this—newspapers actually PAID artists decent money back then because comics SOLD papers! Joseph Pulitzer paid Outcault $150 a week in 1896. Let that amount be adjusted for today’s money? Over $5,000 a week!
BARD: Yet from those imperfect beginnings grew beautiful art forms. The Sunday funnies became family traditions, bringing generations together over breakfast tables. Think of Little Nemo’s dreamscapes or Krazy Kat’s surreal poetry – vintage comics that elevated the medium beyond mere entertainment. Consider this: families gathered around one newspaper, experiencing the same story simultaneously. When was it all lost… that shared cultural rhythm?
BESSIE: Sure, families gathered around comics because the newspaper was the biggest part of entertainment, so they had to. No Netflix, no smartphones, no choice. The early comic strips were appointment viewing because there was nothing else to view. But here’s what’s interesting—those families were doing something that is lost. Practicing delayed gratification. Waiting 24 hours for the next Gasoline Alley installment taught patience in ways the current instant-access culture can’t understand. The same can be said for hanging out with friends and seeing the blooper without a perfect edit to it.
EMPIRIC: The data shows peak circulation during this era. Famous comic strips like Dick Tracy, Little Orphan Annie, and Flash Gordon dominated cultural conversation. Comic strip development reached unprecedented sophistication in both art and ropes. By 1950, newspaper circulation hit 54 million daily, and surveys showed 75% of readers turned to comics first. More fascinating, merchandise sales from comic strip characters generated $100 million annually by 1955.
DUSTY: And THAT’S when the vultures started circling! Publishers saw the money rolling in and thought, “Hey, why split profits with newspapers when the cut out of the middle leaves more?” Comic books promised BIGGER profits with LESS hassle. No daily deadlines, no space restrictions, no editorial interference from newspaper editors! But here’s the kicker. Comic strips were created by BRANDS. Little Orphan Annie wasn’t just a comic; it was radio shows, toys, and decoder rings. The money wasn’t in the strips anymore—it was the EMPIRE!
BARD: But consider the beautiful symbiosis that existed – newspaper comics history shows how strips like Peanuts or Calvin and Hobbes became cultural touchstones, discussed in philosophy classes and psychology journals. The daily format created intimate, ongoing relationships between readers and characters. Think about this metaphor: comic strips were like jazz clubs in the 1950s—intimate, regular gathering spaces. Comic books became arena concerts—spectacular but lacking daily intimacy.
BESSIE: Intimate relationships that lasted until the reader realized. Get the fix faster elsewhere. Why wait for Charlie Brown to kick the football over six months when there was a speed through of seeing Spider-Man save New York in 22 pages? But is it known what was really lost? The serendipity. Discover a new comic strip while reading about city council meetings. Comics weren’t entertainment silos; it was woven into life’s daily fabric.
EMPIRIC: Expanding our view globally reveals fascinating contrasts. While American newspaper comics declined, Japan’s manga maintained serialized storytelling through magazines like Weekly Shonen Jump, selling 6 million copies weekly at its peak. France’s Bande Dessinée elevated graphic storytelling to literary status. The question emerges: why did different cultures preserve different aspects of sequential art?
DUSTY: Because those countries didn’t let CORPORATIONS completely gut their media landscape! Japan kept manga affordable and accessible—buy a phone book-sized magazine for pocket change. France treated comics like literature from the start, not just kid stuff. Meanwhile, America? Newspapers die, and comic books become $4 pamphlets that take five minutes to read!
BARD: Perhaps each culture preserved what was most valued. Japan maintained the serialized addiction—the need to know what happens next week. France elevated the artistic vision—comics as an auteur expression. America…chose spectacle and corporate brands. Each path reflects deeper cultural values about telling a rope, community, and art.
BESSIE: Or maybe each culture just followed the money trail that made sense for the market. Japan had a commuter train culture, perfect for weekly magazines. France had an intellectual café culture, ideal for graphic novels. America has a suburban shopping culture, with comic book shops in strip malls. The format followed the lifestyle, not some grand artistic vision.
EMPIRIC: Multiple factors contributed to the shift. Comic strip milestones became fewer as newspaper space decreased, production costs increased, and graphic storytelling found more profitable venues in comic book format. Here’s the shocking data: newspaper circulation peaked at 62 million in 1990, then crashed to 24 million by 2020. Since 2008, 166 newspapers have died entirely.
DUSTY: Here’s what happened – and this is where it gets UGLY. Newspapers started dying because they refused to adapt to television and later the internet. Instead of innovating, the writers were TERRIFIED, rushed articles, and started cutting everything that made the newspaper worth reading. Comic strips were just collateral damage in the war against newspaper obsolescence! But ask this: what if newspapers had created interactive Sunday comic sections? What if it had developed comic strip apps before webcomics emerged? The death wasn’t inevitable—it was incompetence!
BARD: Yet this transition wasn’t entirely tragic. The comics medium evolved, allowing creators unprecedented freedom. Illustrated narratives could explore complex themes over multiple issues rather than being constrained by the daily three-panel format. Think of Watchmen or Sandman – stories that could never have existed in newspaper format. But here’s the paradox: gained artistic freedom while losing cultural communion. Is individual creative expression worth the loss of shared cultural moments?
BESSIE: Freedom’s a nice wording for “Can charge 50 cents for what used to cost a nickel with the news and classifieds and bird cage liners.” Comic books didn’t replace comic strips because of were better. The profit was seen, and it was made to be more. But here’s what’s funny—Scott Adams made millions from Dilbert even as newspapers declined because surviving papers consolidated comic rights. The ecosystem was more complex than simple decline narratives suggest.
EMPIRIC: Current analysis reveals a fascinating contradiction. Digital platforms appear to democratize the comic creation of a web comic instantly. Yet creator testimonies suggest new barriers. Modern cartoonists must become marketers, social media managers, and business operators. Is it simply shifting burdens from corporations to individuals?
DUSTY: “Democratization” is corporate speak for “Don’t want to pay anymore, so figure it out!” Sure, it can come from anywhere can make a webcomic now, but do add the “Try LIVING off it!” thinking. At least newspaper syndicates provided steady paychecks, marketing, and professional support. Now, creators work for “exposure” and beg for Patreon donations. That’s exploitation with extra steps!
BARD: But considering the gains, creators now have direct relationships with the audiences. No syndicate gatekeepers decide what’s acceptable. Diverse voices that newspapers would never have published can find a community. Yes, the financial model is challenging, but artistic authenticity has never been higher. The question becomes: Is creative freedom worth financial instability?
BESSIE: Creative freedom doesn’t pay rent. And here’s the thing—for every successful webcomic creator, thousands are getting three likes and zero comments. The old system had fewer winners, but the winners could make a career. Now it can play, but it has almost no winning big enough to matter.
EMPIRIC: Current print comics circulation data shows a continued decline in newspaper strips, while comic book sales have experienced periodic revivals. Comic art history now includes web comics, digital platforms, and graphic novels as dominant forms. But here’s an intriguing development: TikTok comics, Instagram story narratives, Twitter comic threads—are these the true successors to newspaper strips? Be it episodic, regular, or embedded in daily digital routines.
DUSTY: And now the ULTIMATE irony – comics made on paper are read on phones and tablets, paying monthly subscriptions for what was once gotten for free! But is it known what’s really happening? Social media platforms are doing what newspapers should have done twenty years ago—making comics part of the daily scroll experience. Only now the money goes to Silicon Valley instead of local journalism!
BARD: But think of the democratization this represents! Creators no longer need syndicate approval or printing presses. Webcomics allow direct artist-to-reader relationships, and the best still capture that daily ritual magic of traditional strips. Consider this metaphor: newspaper comics were like soap operas, building relationships through time. Comic books became blockbuster movies—concentrated impact without daily intimacy. Now digital comics can be both, depending on the creator’s vision. Granted, the work here turned from the daily to the weekly. The magic is still there.
BESSIE: Democratization is a fancy word for “The production may not be Charles Schulz.” At least now, when comics suck, weeding of the comic is easy to happen. The website depends on traffic rather than a received amount of complaints to the editor. But here’s what is troubling: lost the surprise factor. Used to discover comics accidentally while reading the news. Now it’s a keyword and search hunting. Having to actively seek a comic strip. The serendipity is gone.
EMPIRIC: Psychological research reveals that daily comic strips trained readers in delayed gratification—investing in characters over months and years. This mirrors broader cultural shifts. Moved from appointment television to binge-watching, from slow cooking to fast food, from letter writing to social media. The comic strip decline reflects a fundamental transformation in how living relates to the times.
DUSTY: Exactly! And the BENEFITS of destroying our attention spans? The same corporations that killed newspapers! WANTED the addiction to quickness because that’s easier to monetize. Daily comic strips taught patience, continuity, the value of long-term investment in relationships, even fictional ones. That’s dangerous to a consumer culture built on constant novelty!
BARD: Yet perhaps this reflects human nature adapting to information abundance. When there were three TV channels, we could afford the wait for weekly episodes. When there are infinite entertainment options, attention becomes a scarce resource. Maybe the question isn’t whether this change is good or bad, but how it preserves meaningful long-term yarn telling within new attention frameworks to be more.
BESSIE: Or maybe what is deserved? A culture that can’t wait to get. Not the instant gratification comics it demands. But the irony is spending hours scrolling through hundreds of forgettable memes instead of five minutes with one memorable comic strip. It’s a loss or just a time filler till the doc calls for the next waiting room.
EMPIRIC: The pose for the questions that might reframe our entire discussion: Are there rose glasses or romanticizing the past? For every Calvin and Hobbes, newspapers also carried dozens of forgettable strips that continued running purely through inertia. Did the newspaper system preserve both the best and worst comics artificially? And crucially, what aspects of comic strips were truly essential, and where are the comics to be found with those qualities today?
DUSTY: Those are the RIGHT questions! But here’s another one, what if the GOOD stuff survived and the crammed in got filtered out? Maybe the internet’s brutal attention economy actually does what newspaper editors were too cowardly to do—kill boring comics quickly! At least online, quality eventually finds its audience without some syndicate suit deciding what 200 newspapers should run.
BARD: Consider this possibility: the newspaper comic strip as a specific format died, but its DNA lives throughout modern visual culture. The daily ritual appears in social media comics. The shared cultural experience emerges in viral comic formats. The intimate creator-reader relationship grows stronger through direct digital connections. Perhaps we’re not witnessing death but metamorphosis.
BESSIE: That’s a pretty way to say the old thing died and new things took its place. But is it known what? Maybe that’s okay. Maybe every generation needs to kill entertainment forms to make room for new ones. The question is whether the new stuff is better or just… newer.
EMPIRIC: The question remains: did comic strips evolve into comic books, or was the replacement of the comic strip? The evidence suggests that both cartoon panels and sequential art concepts migrated to new formats while traditional strips declined. But perhaps it’s the wrong question being asked. Instead of “evolution or extinction,” perhaps it should be asked: “What made comic strips valuable, and how does it get preserved? Qualities while embracing new possibilities?”
DUSTY: The comic strip was MURDERED, plain and simple! Newspapers killed the panels for ad space, comic book companies buried the corpses, and now, in the discussion, it is pretending to say it was all change or it was all-natural evolution. It’s like saying the dodo bird “evolved” into extinction! But being honest, maybe some things SHOULD die if they can’t adapt. The question is whether anything worthwhile survived the transition.
BARD: Perhaps the spirit of comic strips lives on in new forms – from manga to memes, from graphic novels to animated series. The comic strip timeline didn’t end; it branched into countless new possibilities. Like a river delta, the original stream split into multiple channels, each serving different needs. The format died, but the essence—sequential visual storytelling that creates ongoing relationships—lives everywhere.
BESSIE: Or maybe. Just for this post. A culture that can’t wait for daily storytelling gets the instant gratification comics it demands. The timeline hasn’t changed, but here’s the real question: now that it is known what was lost, can it make a choice to get some of it back?
EMPIRIC: The data show transformation, not simple decline. Sequential art thrives in new forms, reaching audiences the newspaper strips never could. The evolution of newspaper comics reflects broader changes in media consumption, technological advancement, and cultural priorities. Whether the transition from comic strips to comic books represents progress or decline depends largely on the graphic rope telling—and perhaps more importantly, what is valued in attention, patience, and shared cultural experience. Thanks for the read and support of the site, always grateful.
1st piece of puzzlement: A swat down turns the head- Inked Path: A swat down turns the head
Used or not
2nd piece of puzzlement: A swat down turns the head- Inked Path: A swat down turns the head
Late to the party
The truth of being late, please? The wind that once whipped sideways. Turned the sail of the ship sideways, pulling the lines with a sideways twisting of the body. All ensure the cast line would be met. Hmm. Way too much fun for a work night. A second job. Oh, why would that be a need? Wh… Right!
3rd piece of puzzlement: A swat down turns the head- Inked Path: A swat down turns the head
Amongst the frames
Inked Path: A swat down turns the head comic strip entry of “Amongst the Frames” Steel: Amazing, the window broke from the force. John: Broke what has broken. Nostos: MADNESS. John: What tangled web of lies broke the window?
Nostos: Is John being controlled without a door and fully taken over? Steel: Oh, hi there, Nostos. The answer is yes. Nostos: When was the frame room last used? Steel: Been a little bit, think there was a traumatized puppet about then. Why would that be a question? John, fix the window. Give no other orders. No! Old man: Guessing the freeze is over for the speaker.
Steel: Going to learn from Nostos. Let the window be fixed. No: Yes, Yes! Learn more. John: Order Up.
4th piece of puzzlement: A swat down turns the head- Inked Path: A swat down turns the head
The Clone Did It: The Five Missing in Baby Lake
Stan Kenny Lump: In the work of Muda Inc., keeping the employees’ needs and work-life balance. These are tents to guide the company to a production time and quality productions, helping the company improve. This is the priority of the HR teams. It’s not the shareholders’ bottom line; that is the work of the managers and company heads. Be the grandeur of the worker, for the work sometimes forgets its power.
Linda Canox: Odd to hear a boss talk of not being a yes. Ceja Rose: As told when starting, be wary of the other person’s greed that has no check to it. Linda Canox: That is a quote to keep in mind. Possible to have a conversation in the boardroom. Regarding outside factors of work. Ceja Rose: Yes.
Linda Canox: Before questions. A reporter is becoming a friend and is the Casting Host of “The Wording.” Stan Kenny Lump: So, the reporter could be a useful thing to have in the pocket. Hosting “The Wording,” Right?
Ceja Rose: What hatches in the mind? Stan Kenny Lump: This is the right one. Linda Canox: Would think that, is easy to keep the report as a friend and controlled way of feeding information when needed, and yes.
Jenny Homes: Here at Baby Lake, there is no code alert for missing today. The reports of Jothan Low are true, along with a classmate who was a helping hand for others after classes. Rachel Losi where reporting yesterday. What other factors will play into the investigation by the BIA for the youth gone missing? Some whispers still need to be checked into at this time, back to Brian Zain… And end… Better than most reports filmed yesterday.
Stand Kenny Lump: Hmm… The referral for the new HR Manager was well placed. Ceja Rose: Honest in the work wins the day. Now, how open are these meetings with the new HR manager? Stan Kenny Lump: Guess it’s the contracts. That would be a need thing for HR to know of, with the hope comes a lot of work if it were to be picked up. A new piece of gear for the military, not a weapon that has been done. A field guide and radio device for the wrist.
Linda Canox: What would the contract be enacting? That HR would need to be looped in on? Ceja Rose: The workers’ hours have been elongated to fit a new contract. Linda Canox: Allow the department to be reviewed and the adjustments to be made.
5th piece of puzzlement: A swat down turns the head- Inked Path: A swat down turns the head.
The Quibbles of the Scribbles
Bessie: The latest episode has been submitted for this webpage, and the readers so far are aware. There was a new setting introduced in the comic strip titled Away-Ink, and Empiric did not provide an answer in this section. How will these changes impact the work moving forward? The response to that question will be shared this week. Empiric: Bessie, you seem to be taking over the hosting duties with this action. Bessie: Yes, that’s true, but we need to provide answers. It won’t pertain to the additions of Vaticinator Inkle or Mitchel. Throughout the reading, the discussion about what is to come has occurred. However, the post is conveyed through an envelope—where is the answer supposed to be? Bard: Why are the questions being directed at Empiric? Empiric: The envelope is delivered weekly, not daily, and contains the content of the post. There’s not much other than the writing of the post. Also, there is no entry for Away-Ink this time. However, the modification in the footnotes is intended to use this space for interviewing the characters from the shows. Dusty: Is it appropriate to frame a question this way? The narrative builds to a series of revelations that challenge the characters’ perceptions. As they navigate the complexities of the investigation, does the overarching mystery of the missing persons contribute to this? Empiric: The wording of the questions is slightly odd, though it’s not hard to fully answer the interpersonal dynamic of the clone did it does have complexities of its right. If talking of the ongoing pushing of the contract from the first string, where, if a reminder can be given from the first page of the clone did it would follow as.
Getting the photos Diamond Eye: It is known from the flashing camera that a person is out here. Jenny Homes: Well, the thinking about absconding was right. Diamond Eye: Sojourn to the kitchen and talk. It may be a better story. Jenny: Homes: (Thinking) Evading would get a half-truth. So, the kitchen awaits. Diamond Eye: Guessing the job is a reporter? Jenny Homes: Yes. Diamond Eye: Well, Diamond Eye, and if followed, the canvas’s eremite will be met. Jenny: Kind of rap while talking. Diamond Eye: Money is made in practice and associated with a routine. The mind is given a break. Diemond Eye: Exhume for the room eremite. Wise Man: Why? Diamond Eye: A reporter is here. Wise Man: Fine, calling Blood Shoot. Diamond Eye: This is the… Wise Man: Stop with the eremite talk. Wise Man and… This is Blood Shoot on the video call. Jenny: Homes, Report for the Fe-ward Broadcasting Radio, sent for a report on the new work. Blood Shot: A mooching of the work. Why not ask? Diamond Eye: Agreed. Why not? Jenny Homes: First endeavor. Blood Shot: Well. Diamond Eye: Wise. Blood Shot: What is the thinking? Wise Man: Show some work and conge. Boss: An endeavor for a new report comes back looking like a teen mag. Guess the excuse of “An honesty drop” is coming. Cause Club MJ handled this like pros. Art barely shows anything for the mind to grasp, too. Jenny Homes: Putting the photos aside. Did the writing work bring erudition? Boss: Then, the editor is down the hallway, and the hopeful erudition can be brought forth. Rewriting is the show’s point. And working for So’Em media, the power needs to be there.
6th piece of puzzlement: A swat down turns the head- Inked Path: A swat down turns the head
Dusty: A different kind of format for a comic, why? Empiric: How it’s received, then reworked to fit on the webpage with minimal coding for readers to save time and effort. But the page is sliced into sections to be more engaging and reduce the need for pinch and zoom, so readers can appreciate the artwork more easily.
Bard: Wait, there was the To-Boga Wednesday that used to happen, where the completed page was shown to the readers. Would that be the same thing?
Bessie: That might explain why Bard is being sidelined at this moment. The answer was a nice word salad that didn’t address the contracts from the first page of The Clone Did It. Instead, it focused on the current arc of the Five Missing in Baby Lake. How is the relationship between Richard Avant and Amila Leap unfolding for the reader?
Empiric: From the outsider’s perspective, it seems that the two work differently from one another, and their skills are being adapted for the most effective daily operations.
Dusty: Hmm. That would clarify that word salad, thanks to Bessie. Though that perspective can be seen from the outsider’s view. But regarding Bard’s point about the completed page and the loss of To-Boga, where did that thinking originate?
Bessie: It might be related to the change on the front page of the blog site. This question is a good one.
Empiric: Concerning the change, the puzzlement of each episode was becoming muddled, and adding a random piece of art to the title was acceptable. However, consider why not make the blog title page more engaging by allowing the puzzlement piece to provide an answer like a puzzle box, supplying the answer before starting.
Bessie: An answer to the puzzlement, yes. On track for the answer in this quibbling. Instead of pressing there. With the contract of being dealt with between So” EM and The Wording, where would that be going?
Empiric: A hard to answer question the rift of the two companies is slowly growing as the fight for the show and not taking over another is the focus of one side and the saving of the company’s flagship is the other and see the finish of the line between the two would be a great thing since been built into the rope of the orb of Fe-ward.
Bard: Sorry to jump into the conversation once again. Somewhat, but orb kind of like the question from Mitchel, the word orb is used, why?
Empiric: That is the taught word in the school system, so it’s the accepted word to use.
Bessie: an answer to the shoved in question. Thanks for the small win, Bard. The bringing up school is a question to be had, for the rope can have a Segway to it. How is the mayor race, or will it come back around in the rope twist?
Empiric: That is a useful question thought in the String being told that would get ahead of things. The mayor’s party has yet to be a thing by Club MJ. And was kind of started in the entry of a clear night in two panels and then aging for the two brothers.
Blood: The next show for the club. How is the C.A.F.E. team going to be used? Wise: Hmm… The system for the wristband check is tightly run. Make it a backstage crew to run with. Not the normal run security, and this way, no payment to the BIA. Blood: Think it would hurt Joe’s feelings. Wise: Oh, if there is a hint, offer a free ticket. Blood: Call Diamond Eye.
R-R-R-Rung Wise: WHY? Blood: Yes, to know if the contract has been read. Diamond: Cooking it all. Why the call? What couldn’t wait to be mauled? Wise: Has the contract been read yet? Diamond: All right, is it the reason for the book club and not Eremite’s night? Blood: Simple yet right, need anything before getting there? Diamond: Yes, hungry bellies.
Diamond Eye: Time for the food to be eaten, and the two are not late. What part of the contract is to be spoken? Wiseman: Not much time for it, so a quick summary of that was already given. Blood Shoot: Sorry for the call, but pressed by the C.A.F.E. team already for an answer. Diamond Eye: Wow, no hold up or wait for the moment, thinking just now. The contract is understood. Maybe it is how it came about. The response of the Cop protection is known to an unknown being that should be allowed a think.
Blood Shoot: The pineapple security team is based out of Watergate, and Muda INC. Wants to hire the team for the new design team building. This ensures that it is the right fit and that the owners, Murdoch Huntsmen and Lloyd Pusha, can get along. Diamond: A favor given is a favor received. However, the endeavors as of late tally the favors unevenly. In the grand scheme, the tally tries to be made that way for a major, and what is the ask?
Wise: A tally set to put the Wise production just out of reach. From SWR for the Future, earnings that are not music-based. Diamond: What about the soundtrack? Shoot: A tangle to allow a commission to be paid. That is a bottleneck to keep funds from flooding one way. Diamond: Alright, hire Murdoch and let Joe know the real, and no need to heal later. Wise: Truth. Joe’s been easygoing on most things when getting the paper straight.
To the readers this far… Thanks for the time. Hopefully, there were answers in this post. Grateful for the support.
What is the excuse? The plate knife is the excuse, if it can be explained. Late last night, I took a place from the bed a place and placed it upon a wheel. Having plate knives tossed at the wheel. Just inches to the left or right. Okay, go make bread.
Puzzlement: The head that floats
1st piece of puzzlement: the head that floats- Inked Path: Floating Head Masked in The Bog
Amongst the frames
Reporter: There shall be nothing left hanging about. SWOOOSH!!!! No: That’s an impressive swing by the reporter.
Nostos: Impressive, yes. But what went flying from the swing? Bird: So, the spider away thinking was wrong. Torch: No, no. The magnetic ways are calling to be seen. Bird: Good to know the dog ran.
Reporter: Now, the house has nothing. Stay calm and worry not.
2nd piece of puzzlement: The head that floats
Away-Ink: Becoming the clown bonkers
Terry: Kind of like the puppets playing a discussion group during the movie. Kind guides for the thinking. Mitchel: Yes, a bit of a different way to point the string of the movie. Inkle: Will the puppets be used for the cyclorama? Terry: That is a good question, as that is not the case from the board that was seen. The puppets become a show in the cyclorama, allowing the pets, aka the Cast, to be interviewed in this way when airing. Mitchel: SHHH! The recapped part is done new part.
Joran Rasmussen: Before leaving, there is a need to awaken the dog a bit to leave the head turn, as the string that was briefly mentioned does leave a bit too much to the questioning mind. That could lead to the dog being outright awake. Dennis Rasmussen: Please have a seat, then, and allow the untangling of the lines to reveal the truth. In the journey that is life, the youthful home was left to seek the riches that would make life easier. Instead of finding home and work, A crew of sailors was found that was set on discovering a mask. A legend from times gone by for the sailors. But it was the first time hearing this rope. A twist to the vision to see more than just the ground stood upon, to the wear of the mask. It achieved an environment that allowed change to happen in a given moment of feeling like a god. To know the wish was true and only needed to be spoken to be right.
The map to this place was unfurled for the group to see, with two rocks placed on top. A hidden riddle showed the way—a simple set of words, just hard to find in the lines of the fading map. “While easy on the surface, the truth of the soul and hidden thoughts lurk in the dark; a guide can be placed if the mind is paid.” This led to a cave just off the coastline, which had an unyielding darkness to it.
Alone in the dark, the cave reflected just enough light to register that the hand moved, but not enough to see it. Even if it was the question of knowing it was moving compared to actually seeing it move, at least that thought could pass through the mind. Finding the wall of the cave and waiting to see what the mind could find, as asked for by the riddle, any hints of which way to go. A faint red light is seen.
Standing still was not an option. Allowed the hand to touch the wall of the cave, feeling the path by the texture of the wall. What was once a faint red and dim light began to burn brighter. The light now shows which way to face and head without endangering the hand.
Now, taking it all into account, there is a feeling of ground, but there is no solid ground to stand on. The place that holds the answer seems to be guarded by a pond to the eye, but it is not. Walking forward along the path, the mask is the goal of the crew of four, though all have disappeared by this point. One is too afraid to enter the cave, the other just walked into the dark, while the last jumped off the path without a sound. Now, the light of red has become a beacon of hope, and the entry of the room or space that encompasses the mask. It is hard to say where the twisting of the vision takes place. Was it when entering or when placing the mask on the head? Either way, through the holes for the eyes, the field is given, and through the wearing of the mask, the riches sought. The two remaining members return home.
A bond is formed by the last that becomes entente for the two. A hand of the rodeo now had. Till the two a done, the mask is hidden by the two with no tale to be told till the question is asked. The tale could be told no matter what else.
Joran Rasmussen: Okay, truth does allow the mind to be eased. It’s hard to fully understand, but quietness can be had.
Terry: Wait, is this where the movie goes over to the ads? Inkle: Yes. Why? Terry: The string told by Dennis. Is there more to it? Mitchel: Well, there could be a lot more to it, as the other two wish to pass the blame for what was and where the trouble would come from. Now, as to the movie going to the ad here, no. Pause the movie if talking about the mask going to take place. Vaticinator: Sadly, that is the truth. The blame can be passed and debated. In the honesty of it all, the pieces left behind can cause problems if played with too much. Glad to see the movie provide a warning to the watcher. Though the string is tossed away. Terry: If that is true, then act like Inkle and write more. Inkle: No question of the blue face in the twist? Terry: It would stand to reason. The cages that were in use by OBE at the time didn’t have glass that cloaked trisect very well. It leads to stargazing by most pets. Building ways of seeing outside of the first “orb” when this movie was made. Mitchel: Orb? What is meant when that is said?
Terry: Well, the discussion of the cage and cyclorama earlier led down a strange road. And the real reason for the separation of what is used. Cages of ice are used for the transference of pets in the building used by OEB. The cage keeps the world of Trisects cloaked from the engineered pets. So, the orb that kept in a large enough cyclorama to keep the orb. Which was needed after the great digging of the first cage ‘orb’, where devices were allowed. The cyclorama that was left after the freezing and cleaning was called “La Tinta,” where Inkle appeared seemingly out of nowhere.
Inkle: Is there proof of the Appearance? Terry: There is a way to get that so it can be seen, but to be fair, seeing the video of the entry does leave a few questions. Vaticinator: Oh! To see things from the outside… Does leaves no questions to be had by a mind. Other than awareness that can be applied elsewhere. Though the questions spoken are a misunderstanding of how the appearance took place. Terry: RIGHT!!
3rd piece of puzzlement: The head that floats
Used or not
5th piece of puzzlement: The head that floats
The Clone Did It: The Five Missing in Baby Lake
Richard Avant: After the dock questioning. Call it quits for today? And to the lore being bent into this… Amila Leap: Okay, in the lore of the yarn, the runner would disappear when there was water nearby. Richard Avant: Not exactly. A colloquy would lead to the disappearance. Amila Leap: By the action of walking away? Richard Avant: Nope, it would be the given attention to the creature of the string. Amila Leap: Yarn, not the string, accuracy please.
Amila Leap: But the given attention would lead to the missing part of the yarn, causing the creature would steal, right? Richard Avant: Right. (R-R-Rung) call back. Now, how does it bend in not debating the little parts? Amila Leap: Could the message of the yarn be the right thinking instead of thinking of connections? Cause there is a loose thread to tie the missing in the splits, and that is being connected wrong when trying to figure this out.
Richard Avant: Be back, got a call. Amila Leap: (Knock on glass) Hi, I made a call for a connection to Lucy Losi and now need to find out about the person on the paper. Any information that can be given, please. Please wait here, be back with what can be passed. Amila Leap: Thanks 5th piece of puzzlement: The head that floats
Boss: Why is it the article line of the missing was turned into a b-ball string? Brain Zain: Because that is what was emailed by “The Wording” with the attached message, this will be better than trying to beat all the other news of the missing, more to be given soon. Boss: So, now the way to trend is known? Brain Zain: Well, that’s the reason for pushing the show.
Jenny Homes: How is the morning going, Bert? Bert: It is a good morning. Even though it was caused by poor things. Would the day be a late-running day, or try to get the best moment to report? Jenny Homes: Oddly, both are right. But have the time to ask. Is the yarn of water known? Bert: That would be. Have a seat. Also, some coffee and toast to sip while twisting the yarn. The water rolling into the coastline softly sets a windy place to be and provides…
Bert: A tight hug to of a coat to keep the warmth. In the twisting of the yarns of old, there should be a moment to remind that’s not the current day’s view anymore. The lake’s ghost is said to stalk the coastline for a colloquy. But speaking to a stranger was the wrong thing to do; it was when it was all said and done, the two would disappear in a splash of water. Making a few days for what seems like weeks.
4th piece of puzzlement: The head that floats
The Quibbles of the Scribbles
Bessie: Is there anything to add this time, Dusty? Dusty: With the last helpful state being turned into an advert for reading more posts. Try this on the chaotic mess! It jumps from one idea to another without any clear direction. Even if adding the post together after the Hume and Carlin. The link is below.
The comic strips have a good approach that causes more engagement, but confusion for the readers. Bard: That is so kind of a statement by Dusty; that is true. The workplace in the weekly episodes is fun for the readers and becomes easier to understand when the free work is enjoyed. Like the gallery added this week, and hopefully been about the amount of time since the last “Away Forward Ink the Path” added a gallery of work as well. Dusty: Pushing the Adverts for more reading, just not cool at all, Bard. But why is there going to be more work? Bessie: What is more work?
6th piece of puzzlement: The head that floats
Bard: Thinking about Terry’s statement on the uses of the puppet show. Where the cast is interviewed by the puppets. Bessie: How will that work? I guess that it would be like the two being added in the one post, where Terry and Jon just showed up and were just mysterious as to what was going on, and the callout is the hint. Bard: An impromptu interview of the guest. Yeah, so much fun for that to happen, and having asked the question of Empiric, that gets no answer. Like, is the yarn twisted in “The Clone Did It”? Was it told in full and not in part? Empiric: The work is getting better, Bard and eased with the setting to be read to the reader. And there is a reason to bring it to a close with the quibbles this week. As there is more to come and… For those this far, Thanks for the read and the time given for the week. Share the post comment, it’s all helpful. Always grateful for the support of the work.
No: A mad dash for the door to tell the line just told. The first one was way better. Reporter: At least no madness here, only the fear of the small. Back to the post. Steel: WHY!?
Torch: Now that a moment has allowed a frozen response to be taken. May truth escape to the cabin walls, though it would sound as if the walls were talking. There was a crow that had been met on the path. That endured a path with no sound, having no idea of the sounds that echo in the new woods. The newest addition to the Woods around the cabin is the Bird that spoke. And looking for a door home. Old man: Well, back to find other things. The Speaker has frozen.
Torch: So, unseal the path home, and all is gone. No dust here or there, as it was heard. Please forget not a report is waiting on a steady line for the move to attack those inside. Even if it was once home. Nostos: What is going on?
1st piece of puzzlement: The Rodeo Takeover.- Inked Path: A New or Older Way
Away-Ink: Becoming the clown Bonkers
Bessie: Ads have run, and bills are paid. Now, let’s have a quick conversation before returning to the movie, becoming the clown bonkers. Empiric: That’s right. The second type of dream imagery brought up earlier was the word “bar.” In the movie, it was to hold off on deciding by asking a question, by passing a tape recorder of the words heard by Jobo Lage to an unnamed extra in the film. Bessie: That’s right, they need to ask. Is that correct? This could indicate a conflict in thinking since the two are playing pool. In the realm of dreaming, this can be debated in terms of what it means. Empiric: Now, considering the differences of a pool hall, which is a competitive environment, and the desire to achieve a goal, alternatively, the bar suggests a barrier or a need to question things. Bessie: In the movie, it could be said that the scene represents thinking. This plays out the goal that is to be achieved, which is in conflict because Bonkers believes the information is being misinterpreted. Empiric: And that mental conflict is the breaking point for Jobo Lage to have a conversation with a friend.
6th piece of puzzlement: The Rodeo Takeover.- Inked Path: A New or Older Way
Mitchel: Was there a pause in the movie? Jon: I could swear it was the pause and not the mute button. Mitchel: Wow! Terry: Now the pause has been hit. Returning to the floor, why was Inkle sitting in a cage? Inkle: Isn’t it called a cyclorama? Terry: Sorry about that. Thanks for the catch. Inkle: What’s the difference? Both refer to an enclosed space.
Terry: Enclosed spaces, such as cycloramas and cages, and open spaces serve different purposes and offer distinct advantages depending on the context and intended use. A cyclorama is a specialized type of enclosed space often used in photography and videography. It features a curved wall that creates the illusion of infinite space, making it ideal for creating seamless backgrounds. Key advantages include seamless backgrounds, lighting flexibility, and versatility. Cycloramas can be used for a variety of projects, from product photography to film shoots, and can be customized with different lighting setups to achieve various moods and effects. A cage, on the other hand, is an enclosed space within a larger facility. It is surrounded by physical barriers and offers enhanced security and privacy. Enhanced security, customization, and control offer more governance over the environment compared to a cyclorama, which is more cost-effective.
Jon: That was a very coherent answer. Could it be repeated? Vaticinator: In the given answer, why is there a need for better security with the cage? Terry: As pets know, there is an owner who can see the room where the cage is placed. While the barrier of bars or glass does not hide the owner, this allows for flexibility of the cage that is not present with the cyclorama. At the conclave, glass that allows the infinite space to be seen inside provides a magnifying effect for the owner to better see their pet. Jon: Back to the floor; these answers are too good.
Terry: Okay. What has been happening in the movie? Mitchel: Rewind the movie to the bar scene, and Bonkers provides an answer to the posed question, allowing a chance to see the missed part of the film. Inkle: Good reasoning for the rewind, but hold on before pressing the button. As the questions are still needed, aspects need to be rounded out in the appendix of the work. Terry: Well, that is the reason for writing down the thoughts so there can be a conversation where each passes the work one to the right, and the questions had or insights given for the writing can be done, and then refined before debate ensues. The questions about the cage and cyclorama are valid as they clarify the meaning. A good question would be about the way they use “fiefdom,” which means a space that is controlled. Vaticinator: It’s the truth. A space inhabited by Mitchel or Inkle becomes controlled. Inhabitants that are meant to be controlled by one now have two controllers, which will cause problems. Terry: Would that mean each of the three is akin to a feudal lord? Vaticinator: A feudal lord could be said not to be in the traditional sense, as it is not a realm or region being controlled. The domain or fiefdom becomes a pocketed dimension for the entity that inhabits the given space. Terry: Can the space work with an imbrication of the three using limited control?
Mitchel: If the given space is defined enough, the overlapping space could become a point of intense views that give things away, meaning a good way of discussing the space is needed. Terry: Hence the need for the writing work of the group. The writing work will be the first major building block for the cyclorama to remain in control. Those writings provide a guideline for the cyclorama and a rule structure for those keeping the narrative going forward. With those kinds of things brought to the forefront, to keep things organized going forward.
Puzzlement: The rodeo takeover.
2nd piece of puzzlement: The Rodeo Takeover.- Inked Path: A New or Older Way
Used Or Not: New skills reviewed by Olsen.
The eye is treated to a piece that has been seen before. Learning a new set of skills is essential for any work. To enhance the toolkit here, it requires more than just web skills; it involves building a better and more comforting design for the reader. The art will also improve, which will contribute to the reader’s enjoyment. The following piece draws the eye directly to the face that is shrouded by the hood, giving the exposed part a more masked actor effect. In the cloudy space of the deep blue that fills the gaps between the purple blocks, the idea of an onlooker watching the masked actor adds depth to the interpretation. A hand pulls both colors into a hand shape, serving as a guide to the next part of the piece, where a feeling of being lost takes over in the flames. Until it spits out the word “the,” and then drifts across the piece to the word “end.”
3rd piece of puzzlement: The Rodeo Takeover.- Inked Path: A New or Older Way
Late to the party
Why the lateness? And then what happened? And then?! Easy peas need a slushy after. Drop-cart. Slushy 4 Sons mug, what? A RAT! IS COOLER A RAT!
4th piece of puzzlement: The Rodeo Takeover. – Inked Path: A New or Older Way
The Clone Did It: Five Missing at Baby Lake
Richard Avant: What does the Waiting… Amila Leap: It would seem the case file is of a wife gone missing from the docks. Where Lucy Losi also works. In the report, the wife should have been home two hours before Rachel and four hours before Jothan disappeared. Richard Avant: There was no water to be seen, but all went missing near water. At least the three givens. Amila Leap: Is or can a map be seen?
Linda Canox: Why have the conversation with Ted? Jenny Homes: It was the seating on the bench by BIA. Alrighty, Bert the cook. Off to follow the caravan of news stations for the missing person report. Cook: The tie together is good, but one or the other. Be safe, come back tomorrow for a meal.
Jenny Homes: Will this be worth the time getting here? That’s Right. It would seem the son of Rye Low has… Gone missing at this time. Assigned to the case are Avant and Leap of the BIA, as said. Jenny Homes: It would have been better to have stayed home, but the repeat was helpful. Only saw the leads didn’t get to be questioned other than by an officer.
Jenny Homes: Leap and Avant, the two leads of the investigation, are… How would a BIA agent build the string out? What would be the ties? No, no. Try not to get lost in the report, and need to build a better one. Wishing not to be the same.
Jenny Homes: The first conversation in the park was with the b-ball player, and finding out the two would go to pedagogic well, better to say conducted by the one, who was also the one missing two hours before. Why is there a gap in time? Why does the body of water between the two feel like a known that is hacking legends? The. The. Oh, the old yarn, or what was it called? It was something about water.
Richard Avant: There are four given points on the map; oddly, the loops overlap somewhat. Amila Leap: The quickness of the comment regarding where Lucy worked from Julan is unnecessary to know. Richard Avant: It was, and I didn’t think of it then… Amila Leap: Could there be a legend hiding in the case? Richard Avant: That might be a bit too much. Amila Leap: What if it isn’t? Thinking about “The No Running by the water.” Richard Avant: That would present a different view that challenges the mind.
5th piece of puzzlement: The Rodeo Takeover.- Inked Path: A New or Older Way
The Quibbles of the Scribbles.
Dusty: This text is a chaotic mess! It jumps from one idea to another without any clear direction. The “Amongst the Frames” section is just a jumble of thoughts, with characters like Steel and Torch making cryptic statements that don’t add up. The mention of a crow and a cabin adds to the confusion. It’s like the author threw random ideas together without any coherence. And what’s with the “Rodeo Takeover”? It’s supposed to be a series, but each piece is disjointed and lacks a clear narrative. The “Away-Ink” part is just bizarre, with characters discussing dream imagery and pool halls. It’s frustrating to read! Bard: How is it forgotten that the cabin and the bird were last week? The text is rich with imagery and creativity. Steel and Torch’s dialogue, though cryptic, adds depth and intrigue. The crow and cabin create a mysterious atmosphere that draws the reader in. The “Rodeo Takeover” series, despite its disjointed nature, has a connection if looked at; the pieces do fit together. The “Away-Ink” part, with its discussion on dream imagery and pool halls, provides an interesting take on mental conflict and interpretation. It’s a thought-provoking piece.
Dusty: Thought-provoking? It’s more like thought-confusing! The text lacks structure and clarity. The characters’ dialogues are scattered and don’t contribute to a cohesive story. The “Cyclorama vs. Cage” discussion is overly technical and doesn’t fit with the rest of the text. The “Rodeo Takeover” pieces are just random snippets that don’t form a coherent narrative.
Bessie: While it may seem scattered, the text offers a unique blend of ideas and perspectives. The “Cyclorama vs. Cage” discussion, though technical, adds an interesting dimension to the narrative. Since Hume and Carlin post the difference of size explored in Away-Ink, the concept of enclosed spaces and their purposes, which can be seen as the explanation of world-building. The “Rodeo Takeover” pieces are just that, a puzzle to be found out till the To-Boga Posting. Bard: There is the answer to the confusion by Dusty. It has been a long time since a review of the work has been given of the work. Bessie: What of the gallery added in the ropes so far? Dusty: Has this been turned from kind guidance by tearing apart the work to an advert for reading more of the post? Bard: Yes, because there is a lot to read here, and deciding it all by one post gives no context of other posts or the readers that come this far and know better, and thanks for the time and study of the work. Help support the site with a share or comment. As always, grateful for the support.
1st piece of puzzlement: Alone in the art studio- Inked Path: The art of the truth
Away-Ink: Becoming the clown bonkers
Dennis Rasmussen: Well, now isn’t there a rodeo needing attention? Joran Rasmussen: After driving here. The many ways this conversation could go were tried to be thought through to have a less bewildering set of ideas. Dennis Rasmussen: Oh, it is going to be a long conversation about what happened at a rodeo or how the rodeo could be improved upon, getting a bigger crowd. At least hoping that is the guided thinking, since the thoughts were not allowed the time to line up here. Joran Rasmussen: Sorry for that. The question that mainly keeps creeping up in the version was how the rodeo gets earned.
Dennis Rasmussen: That could leave a mind underwater. It was the mask of changes found on an island of salt. In the big picture, the confusion of how the path to the cave would seem odd to think of. Instead of all at once, allow the twisting of the string to take place. It starts on an island with two rocks holding a map down. A faded set of words meant to be untwisted… “While easy on the surface truth of the soul and hidden thoughts lurk in the dark; a guide can be placed if the mind is paid.” While the surface was easy. It was once in the cave. Winds are shifting from the waves rolling just outside the opening to the cave. A torch was over the shoulder, with the light dancing around the dark. A few puddles of water would reflect the light, giving the eyes a chance to see in the dark just a bit further than the torch could provide. Call the mask an adroitness left behind a god given share of power. Thought it could be easy to akin this yarn to a fishing line by a sailor. Don’t give in to the mind trying to understand. As a result of the journey, taking still provides. A mask is said to be a shield that allows the life of another to be lived. At first, the confusion of the gift can make one see the world oddly, holding on and paying mind leaves all to a guided place.
Jordan Rasmussen: The rodeo was given by an adroitness hidden in a cave. And no question should be given to it. What was the reason, right, cause it still provides. Dennis Rasmussen: A power beyond the mind is hard to believe, but the thought that the rodeo can be changed was the main reason for being here. So, leave the dog lie where it has been and ask the question you wanted to ask. Joran Rasmussen: The new Clown Bonkers gave a reason to ask about the rodeo. Dennis Rasmussen: Bonkers, kind of like the name, very fitting. Joran Rasmussen: Doug trained the clown to jump barrels. Dennis Rasmussen: What? Now, was it the conditions of the ring and choosing the fly that led to the jump, or training?
Joran Rasmussen: Both can be said as the truth. But in the drive here, that place to the side caused a screaming match to be had with Doug of the leaping clown, and that does not hold the weight that it did at the start. The bull and clown were left uninjured by the action, other than being yelled at and made aware of the dangers it brings to the bull. Answers are given there. The only part unanswered was during the yelling, with Doug, the hollow padding that was lying about the tool room. Dennis Rasmussen: Hmm… The eggs in the transfer accounted for. Just pinpointing the one behind the use of the equipment. Jordan Rasmussen: The egg transfer? What does that mean, and known for how long?
Mitchel: Okay, there is a need to pause the movie. While those in character are leaving the sleeping dog lie. How the adroitness just lying about, oh, wise the trainer Vaticinator? Vaticinator: Well, the question should be posed to the one playing with costumes and ants at the moment, as it was a mask left behind in a cave. Inkle: It was during training, and the place of the question was right, as the cleaning of the training grounds would have been skipped by the trainer. Jon: The adroitness can be left behind as tangled objects for the pets to use. Terry: Hmm… that adds to the layer of the Maz… Sorry, the Palooka can be played. Where are the packaged trees? Jon: Back to the right on the shelf. Wait, there is a string to be told by Cohen. That could be the connection of the cycloramas. Where the string is a shared dream of the pets, and the poster is placed around town like it were a blockbuster movie. This way, the pets have a common ground thing to talk about, making the world fit a bit, and forces the two out of the house cause the message from the board is that the artwork must be a real artist, so off to find an artist to fill the task. And boom, the new cyclorama is set in motion.
Terry: Not a bad idea, but write it down and give it a pause, it causes it to be a brainstorm, yes, but could leave too many holes to try and plug later. Inkle: Why? Terry: The way of building a string has a beginning, middle end. Both are needed, but not having too many tears in the string is also needed, cause that leads to many more questions. Mitchel: Oh, it should be known that Inkle forgot the mirrors in the string told earlier. Which gave the two the way out of the palooka that was made for the pets. Jon: The trees were for. Terry: The customer will be back in a moment. Why is the TV Muted? Jon: What? Oh, no, it’s back at the Puppets.
2nd piece of puzzlement: Alone in the art studio- Inked Path: The art of the truth
Late to the party
And then? Safety in the sticks. Easy peasy time for a slushy after. 1 drop cart slushy!
3rd piece of puzzlement: Alone in the art studio- Inked Path: The art of the truth
Amongst the frames
Nostos: What or would there be a string for the look? No: Yes, a twisted string? Steel: Of course, a crazy look brings instant attention. Reporter: Woot! Reality TV without cables. John: Yup!
Steel: The steps down what was thought to be a clear path. Had three sets of eyes watching from the top of a fence. Being mindful of the paws’ landing space and not of the onlookers, the comments started. Bird 1: Stepping too much to the left, causing a limp to form over the years if kept up. Bird 2: Careful now, there may be a pileup in the aisle. Steel: Everything was set and moving till the third decided to speak with a great force, the taunting…
bird that was once seen from the window with No at the side. Now made the fur jumped from its matted place, and the quick escape route was found for the first two; it was the sky. Other than leaping from the force of the voice, the path was through the trees, and the cute owl seen once before sat laughing with a forceful hoot. The Path after the leap grew dark, and the confusion took over a bit. But mad energy dashed the door to sight. Old man: At least better than TV.
4th piece of puzzlement: Alone in the art studio- Inked Path: The art of the truth
Used or not.
It’s not easy to replace humans that way.
It’s not same or in the face as the computer. Name another human job easily taking?
True.
5th piece of puzzlement: Alone in the art studio- Inked Path: The art of the truth
The clone did it: Five missing in Baby Lake
Amila Leap: Could the timeline of the day be put in a way that is merged? In the use of the words, said the jagged edges of the torn strings reunited to make the whole. A morning conversation leads two down a path that is off in many ways. Just a bit behind the desired timing of the day. Allowing items to be left behind and crafting more.
Amila Leap: Reasons to still feel the morning. Where a moment that was and should be the count of ten unhindered allows the settling of the mind. It instead became a moment of terror that led to the emptiness of even the body. Where the aunt is at work and knows nothing of the ongoing day, since there has been no word. Richard Avant: Oddly, the wording can be seen in a good way. Other than the worker.
Richard Avant: Which could be a reason to call the Aunt that got cast to the wayside. Since the missing code was at the park. Led the investigation elsewhere. What could be the thinking that is being missed if the first part of the string that is assumed to be one thing could be another? Amila Leap: Well, hold on, please.
Amila Leap: (on the phone) R-R-R-rung HI, this is Amila Leap. Investigating a matter. Is a connection to Lucy Losi Able to be made, please? Voice 1: Yes, please hold on. (Yelling) Where would Lucy be!? Voice 2: Left, didn’t the card get turned in to the office? Voice 1: Sorry, would seems Lucy is unaccounted for at this time.
Amila Leap: Thanks for that (end of call), so it would seem from the voices heard that the Aunt is not there, and the name is Lucy, so the Aunt Tag can be lost. Richard Avant: Going to be a day now, a third goes missing, and one is tied to two of the missing. This might be more than an easy day case, great, and could be… Amila Leap: What would be the string? That is lingering under the waves that is going to be unseen.
Amila Leap: What if the water of trades is now the point of contact for the branching case? Richard Avant: What indeed? A correction could be just sitting in view, not seen. Amila Leap: What was the case file about? Shadow: The built one for the waiting line. Richard Avant: That is off to the side. The guess is that since it was added to the stack, it goes to the missing cases being worked on. Amila Leap: Should have asked!
6th piece of puzzlement: Alone in the art studio- Inked Path: The art of the truth
The Quibbles of the Scribbles
Bessie: As the week comes to an end, what have we learned? Dusty: Not how things are evaluated. Bard: That was the final post, and everyone who read it is aware. So why try to confuse them? Dusty: It’s an attempt. Helpfulness can hinder completion. Bessie: That’s an interesting point. Regarding the Mask comment, what could that refer to? Bard: Steering the learning discussion there, Bessie. What’s with the mask? The dog needs to rest.
Bessie: Dreaming of a mask often signifies hiding true intentions or feelings. It can also mean that certain behaviors are concealing the reality of a situation. In dreams, masks may represent efforts to disguise the truth or genuine emotions. In a negative sense, these dreams can reflect dishonesty, deception, or manipulation, suggesting attempts to mislead others or maintain a facade. If someone dreams of a mask being removed, it indicates a revelation of the truth, where genuine intentions and feelings come to light. This could also imply that a person who seemed hostile or aggressive might not be as troubling as initially thought. Bard: Wouldn’t that suggest action is needed here? Bessie: I’m not sure it applies, but it’s worth pondering for anyone still engaged. Thank you for your time and attention. Please help the site grow by sharing the URL. Wishing you a kind week ahead.
The house sits unclean. The smell of still water in a bowl. Flows into the air, calling out to be dealt with. But the streaking voice would be heard if actions were taken. Stay near and watch for now.
1st piece of Lost in thought at the gallery
Away-ink: Becoming the clown bonkers
Joran Rasmussen: What can be said about that? Doug: What can be said about what? Joran Rasmussen: The show was as proper as a Sloppy Joe, Doug. Well, not sure which would cause more of a mess in truth, may take a five-year-old holding the sandwich to be more chaotic. Then what was seen? Why is there padding laid about that should be in the barrels? Doug: A little harsh of a statement. Not going to lie, the new clown bonkers held up even though it was only to run from Dark Door. Why not?… Just go and take A drive to tell Mister Rasmussen all the kind things there are to say about the show given.
Joran Rasmussen: This part of town has seen better days. Nothing but dive bars and bad diners as far as the eye can see. Not the task at hand. The best way to go about this discussion. Because it will not be a walk in the park to dismantle the rodeo show. ELSEWHERE!!!
Extra 3: Why is there a wait to talk in this dive? Jobo Lage: There could be walk-ins. Even though the current client had to search for this neighborhood to meet. Extra 3: Okay, what is wrong with the place that is normal to go to? Jobo Lage: Close to the work being done, so it may be a reason to be found out. Extra 3: Okay, Mister, costumes of the hair. Talk about what has gone on with the job. So, this place can be left. Jobo Lage: The current case being worked is a Rodeo clown. Yes, that does mean the undercover work is being done is the clown enhance the appearance change. The owner of the show is Dennis Rasmussen. Just pay attention to things that allow the notice of a weight starting to shift. Couldn’t go undercover for the sport. This leads to hiring a PI. Extra 3: Great, the noir statement for the book, not recording, leave it to the side. Jobo Lage: That makes the string being told stay coherent, and keeps the string flowing straight. After the hired PI is expected to blend into the group that fights bulls without a cape or sword. In the stead of those tools are Barrel and makeup. While training for the next show, the hero PI gains some insights into the group, and after a few days of hard training, is allowed to rest. Even if the work is placed in the investigation, the body is sore and stiff. The willpower to keep trying to find the answer requested by Dennis Rasmussen. The point of the barrels was brought up during the opening steps of which led to finding the hole that was thought to be there. And then, while locked in a box, the hair was cut, and the answer followed with each snip made. Two of the performing athletes. Answer in the form of telling unconnected strings of finding an egg stand with cheap eggs. The kindness of one is turned into an option for making money.
Extra 3: Great, then why the meeting? Jobo Lage: The strings told lead to the answer, or is this recording leading elsewhere that can’t be seen? Extra 3: Fine, then hand that here and allow the hearing to be done.
2nd piece of puzzlement lost in thought at the art gallery-Inked Path: The madness or the crazy, which?
Inkle: Please, pause the movie. Mitchel: Why this time? Vaticinator: While on the fence until the question is posed this time, Inkle. Inkle: How large is a pet inside the tank? Mitchel: This is a given question. There were three here, and the size was measured after those three were removed. Jon: The three were defective and too large, which is why. That’s the takeaway. Vaticinator: How large is too large? Jon: Those three pets were 200M, and they’re supposed to be 5 M- 7 M, allowing a few over. Mitchel: Though the movie is better, what does M stand for in terms of measurements?
Jon: A micky is 1/200th, which is the M. Inside the interval of a meter outside of the cyclorama. Now the measurements are meant to be muddled in detail. If debated with others, the M vs nanometer is debated by a few. So, it becomes mind-boggling, and because of that, it keeps things in check for the most part. Granted, there will be pets that can think beyond it. Find the right way to tackle the next part of finding space. Mitchel: The way the information has to be controlled to keep the truth hidden. Jon: Yes. Mitchel: Allowing the movie to be played? Inkle: The right size of a pet would be… Vaticinator: This allows the space to be worked on, and, agreeing with Mitchel, please return to the movie. Jon: How come that was the question? Inkle: Was going to size up the ants, not to be seen, now wondering if allowing the costumes to be used for other reasons. Mitchel: What, being the police force of the cyclorama? Vaticinator: A good idea, and the pause has been worth the ask.
3rd piece of puzzlement lost in thought at the art gallery-Inked Path: The madness or the crazy, which?
Amongst The Frames
Nostos: Okay, No with the questioning made to be less of madness. No: Madness. That could be said, though, near the in-between of crazy and madness. Thought the quite insanity. Nostos: Hmm…Were there any lessons learned since leaving last?
Reporter: The flight has been taken, but where? Steel: Going to be a walk. Good, there is a clear path.
John: A cup of tea? SLAM!!! John: So, the wind does spill tea.
Puzzlement: Lost in thought at the gallery.
4th piece of puzzlement lost in thought at the art gallery-Inked Path: The madness or the crazy, which?
Late to the party
What is the truth this time? A diligent quest begins. Better than the dark web. See. Where can a resume be submitted?
5th piece of puzzlement lost in thought at the art gallery-Inked Path: The madness or the crazy, which?
The Clone Did It: Five missing at Baby Lake.
Jenny Homes: So, best not to say a junto but at least heard “The Wording” then? Linda Canox: Yes, once. Ted Canox: Off topic. The report does show the transition of culture where the old practice of the night of the chosen path occurs, where the mask idea became a part of the Naria culture and was allowed to change to the customs there. Jenny: Hmm… Thought it would be a common thing to use masks? Linda: Nope, the acting part transferred to Dale’s in the same way.
Lisa Canox: Not the same; it was families returning to Dale’s years after the chosen path. Ted Canox: Corrected by the well-schooled. Jenny Homes: Wait, a return could take place? Linda Canox: Yes. Jenny Homes: What else was transferred in that way, or would that cause too detailed an answer? Lisa Canox: A textbook could almost cover it. Jenny Homes: Guess that is the same here, but the ease of access to all things does allow it to become truly muddy.
Jenny Homes: So, what would be transferred to Ecauns other than this reframing of a mind to cultural issues? Linda Canox: A hope for a good life with Muda Inc., after finally landing a job. Jenny Homes: With what department of the company? Linda Canox: HR team. Jenny Homes: And for Ted? Ted Canox: Well, a part-time job and still teaching Lisa the studies. Linda Canox: If that works out.
Richard Avant: A crossing of two missing people leaves too many tears in the strings for a pondering mind to get lost. In theory, the case could center around a one-told connection. That was a hidden way when praying eyes were about to allow nothing to be known outside of the two who need to know. The Studies lead the youth to formulate a plan. Where a chance to get away would cause a stir that only leaves echoes for others. Amila Leap: That would mean that any colloquy had today would not be smart enough to watch…
Amila Leap: And that may be a leap too far to believe. A few gave pause as the string was torn, and those tears could be the unseen parts. Richard Avant: The bad part of thinking all is known, but all is not known. Here are a few of the highlighting notes: the two were study group and never saw each other outside of it. When in the same classroom, the seats are on opposite ends of the room. In any case, watching this would lead to the thinking of inference to be nothing is happening. Why walk away on a demand colloquially?
Amila Leap: That is the prize-winning question. The coach even said that Rachel had never ventured to the court before today. So, outside the normal is every part of the string. Down to the answer from earlier today from Julan Lionrose, what was normal to see what the truth of it all is in the jagged side tears of the strings. Richard Avant: Jagged edges have lost threads to rebuild any ripped string back together. Though it may be hard to see. Amila Leap: The fun of the work.
6th piece of puzzlement lost in thought at the art gallery-Inked Path: The madness or the crazy, which?
The Quibbles of the Scribbles
Bard: Since when is there an in-between for madness and crazy? Dusty: Madness does have a different Definition: “Madness” is a more formal and serious term used to describe a state of severe mental illness or insanity. It is often associated with extreme or irrational behavior and is typically used more negatively and dramatically. Usage: It is more appropriate when discussing mental health issues in formal or clinical settings. For example, “The madness of war cannot be fully understood” or “A sudden outburst was a moment of madness.”
Bessie: While that holds for madness. There has to be a look at the Definition: “Crazy” is an informal term used to describe someone or something that is mentally unstable, irrational, or extremely enthusiastic. It can be used in a wide range of contexts, from quirky to dangerous. Usage: It is more commonly used in informal speech and can be used to describe a wide range of behaviors, from unusual to extreme. Empiric: Using grounded reasons to look at the Definition: “Insane” is a term that can be used in both formal and informal contexts. It is stronger and often sounds more negative than “crazy,” but less formal than “madness.” It is often used to describe a state of severe mental illness or irrational behavior. Usage: It is more appropriate in legal or medical contexts, but can also be used informally. Would roundly explain the behavior of NO amongst the frames. Bard: Okay, that’s a round answer for this debate of Madness vs Crazy. The terms “madness” and “crazy” have distinct meanings and are used in different contexts, though they are often used interchangeably in informal settings. Here’s a breakdown of their differences and a term that fits in between. At least it was a better explanation of the measurement given in Away-ink.
Empiric: a mind-twister for a Rope to build the inside of a cyclorama. But history does show it. There are two internationally accepted standards for measuring systems: the metric system and the imperial system. The metric system, also known as the International System of Units (SI), is based on units such as meters, kilograms, and seconds. It uses a decimal system, making it easier to convert between units by multiplying or dividing by powers of ten. Historically, the development of these systems was influenced by local standards and needs. The metric system was officially adopted in France in the late 18th century and has since spread globally, while the imperial system was formalized in Britain in 1824 and was widely used in the British Empire and Commonwealth countries. Dusty: Which is the case of traveling culture, like the conversation in The Clone Did It? Thanks for the time. Please help support the site by subscribing, sharing, or commenting; it all helps. As always, grateful for the support of the work. Find more with the links below.
Empiric: Welcome, rational minds and free thinkers, to today’s intellectual showdown: “Hume vs Carlin: Where Philosophy Meets Comedy.” And today we’re examining two revolutionary thinkers separated by centuries but united in skepticism toward human institutions, beliefs, and behaviors. Let’s establish the facts about our contenders before our panel shares any perspectives. With the following echoes to give guidance. Presenting the Hume and Carlin: A Philosophical Comedy Double Act. Comparing David Hume and George Carlin reveals fascinating parallels despite different eras and vocations. A sharp criticizer of established institutions, dogmatic thinking, and human self-deception, though the view expressed in the critiques is through different means. Now try to echo in perfection of…
Epistemological Skepticism Hume: “All the perceptions of the human mind resolve themselves into two distinct kinds, which I shall call impressions and ideas. The difference betwixt these consists in the degrees of force and liveliness, with which they strike upon the mind.” Carlin: “Tell people there’s an invisible man in the sky who created the universe, and the vast majority will believe you. Tell them the paint is wet, and they have to touch it to be sure.”
There has been an ongoing debate regarding how knowledge is established, with Hume developing a refined empirical philosophy and Carlin using similar insights to create sharp comedy that critiques human gullibility. Religion and Authority Hume: “Eloquence, when at its highest pitch, leaves little room for reason or reflection; but addressing itself entirely to the fancy or the affections, captivates the willing hearers, and subdues their understanding.” Carlin: “Religion has convinced people that an invisible man is living in the sky who watches everything you do, every minute of every day… and the invisible man has a special list of ten things he does not want you to do. And if you do any of these ten things, he has a special place, full of fire and smoke and burning and torture and anguish, where he will send you to live and suffer and burn and choke and scream and cry forever and ever ’til the end of time! But he loves you.”
Both challenged religious dogma and authority structures, though Hume had to be somewhat circumspect to avoid persecution, while Carlin made his reputation through confrontation. Human Nature and Morality Hume: “Reason is, and ought only to be the slave of the passions, and can never pretend to any other office than to serve and obey them.” Carlin: “I think we’re part of a greater wisdom than we will ever understand. A higher order. Call it what you want. Know what I call it? The Big Electron… It doesn’t punish, it doesn’t reward, it doesn’t judge at all. It just is.” The two believed that human nature is primarily driven by passion rather than reason, and they rejected traditional moral absolutism in favor of more naturalistic understandings of ethics. Language and Illusion Hume: “If we take in our hand any volume of divinity or school metaphysics, for instance, let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning concerning matters of fact and existence? No. Commit it then to the flames: for it can contain nothing but sophistry and illusion.” Carlin: “Think of how stupid the average person is, and realize half of them are stupider than that… A lot of the people who ought to be here tonight are on their way to church.” After exploring those echoes, the focus is on how language can be misleading. Hume developed criteria to distinguish meaningful philosophical claims from meaningless ones, while Carlin highlighted how language and euphemisms can obscure reality. Both Hume, through careful argumentation, and Carlin, through sharp comedy, addressed human tendencies toward self-deception, conformity, and unexamined beliefs. This panel aims to examine these thoughts objectively.
Bard: Would it be best to start at the beginning of David Hume emerged from the Scottish Enlightenment as one of history’s most influential philosophers. Born in Edinburgh on May 7, 1711, Hume developed a radical empiricism that challenged the very foundations of knowledge and dramatically altered Western philosophy’s trajectory. What is considered the magnum opus, “A Treatise of Human Nature” (1739-1740), attempted to apply the empirical method of Locke and Newton to the study of human nature itself. Though initially unsuccessful, this work and later “Inquiries” established Hume as a philosophical pioneer. With three core arguments challenged:
Causality – Demonstrating that belief in cause and effect is merely a habitual association rather than rational knowledge
Personal identity – Arguing that the self is merely a “bundle of perceptions” rather than a consistent entity
Religion – Developing critical arguments against miracle claims and natural theology
Dusty: FINALLY, SAW THROUGH THE NONSENSE! While masses are busy kissing up to the church and monarchy, Hume had the GUTS to question EVERYTHING! “know” things? HA! Hume showed that knowledge is unknowing anything except what had been experienced! Contemporaries called Hume an atheist and a heretic just because the DARED to question the precious beliefs! It’s better to say. Couldn’t handle the TRUTH! Bard: What made Hume truly special wasn’t just skepticism, but humanity. Despite challenging cherished beliefs, Hume was known for an amiable character and gentle temperament. Even questioned the ability to rationally know the world, emphasizing the importance of sentiment and social emotions in moral life. Philosophy wasn’t about tearing down, but understanding our true nature as feeling, social creatures navigating an uncertain world together.
Bessie: Hume was too smart. Spent a whole life telling folks that don’t know what is thought to be known, then wondering why Hume couldn’t get a university position. All accounts, though. Just because figuring out life’s a cosmic joke doesn’t mean there is a need to be bitter about it. Stayed cheerful even when they called the name “The Great Infidel.” Only to be so bold.
Dusty: Let’s keep this turning. And looking at random facts of the giver of random floating anger, George Carlin, born May 12, 1937, in New York City, transformed American comedy through a career spanning five decades. Initially a conventional comedian, Carlin underwent a dramatic transformation in the late 1960s, embracing counterculture and developing a signature style of incisive social criticism. The high note stand-up 1972 monologue “Seven Words You Can Never Say on Television” led to a Supreme Court case on broadcasting standards. Carlin’s material systematically targeted:
Language manipulation – Exposing euphemisms as tools to obscure reality
Religious institutions – Questioning the logic and practices of organized religion
Political systems – Highlighting hypocrisy in American politics and culture
Consumer society – Critiquing materialism and environmental destruction With 14 HBO specials, books such as “Brain Droppings,” and numerous awards, including the Mark Twain Prize for American Humor, George Carlin was established as comedy’s premier philosopher-king. Carlin was genuinely remarkable. While other comedians focused on trivial topics like airplane food, Carlin used the given performances to highlight how language controls people. For instance, “shellshock” becomes “post-traumatic stress disorder,” requiring four words to describe the same condition. This shift in terminology serves to distance itself from the stark reality. Every time Carlin took the stage, the aim was to challenge the systems that keep people unaware. Despite facing FCC complaints and boycotts, Carlin never backed down.
Bard: While Carlin’s language could be harsh, comedy came from a place of deep humanism. It wasn’t fair to be angry at people, but at systems that diminished human potential. Behind the profanity and pointed critiques was a genuine care about truth and authentic human connection. This came from the observation that “inside every cynical person is a disappointed idealist,” which reveals much about what the motivations were to just criticize because it could be or envision something better.
Bessie: George faced the challenge of conveying significant truths to the public throughout the lifetime. Despite best efforts in highlighting societal hypocrisies, witnessed the world’s deterioration was witnessed. The transition from a clean-cut individual in a suit to a long-haired advocate for truth, yet the contributions were met with mixed gratitude. Bard: Though the jokes were often labeled as a way to be a troublemaker. Nonetheless, succeeded in making millions laugh while encouraging critical thinking, a feat few achieve. Bessie: If questioned, that success might be considered somewhat bittersweet. Empiric: Despite different eras and methods, Hume and Carlin share remarkable philosophical parallels:
Epistemological Skepticism raised the question of how things are known:
Hume, through rigorous philosophical inquiry into the limits of human knowledge
Carlin, through exposing inconsistencies in cultural beliefs and linguistic deceptions
Dusty: In exploring epistemological skepticism, one must delve into the very essence of knowing and understanding. Hume’s rigorous philosophical inquiries dissected the boundaries of human knowledge, questioning the reliability of sensory experience and causal inference. Carlin, on the other hand, approached this skepticism with a different lens, scrutinizing cultural beliefs and societal norms through the prism of language manipulation. By highlighting the contradictions and euphemisms embedded in everyday discourse, Carlin exposed the superficiality of commonly accepted truths. Both thinkers, in their unique ways, implored a reconsideration of the foundations of beliefs and to remain forever vigilant against the comforting illusions of certainty.
Institutional Critique – Both challenged established powers:
Hume subtly undermined religious authority through philosophical arguments
Carlin directly confronted religious narratives with logical contradictions
Bessie: In delving deeper into the minds of George Carlin and David Hume, it can be uncovered a tapestry of inquiry and critique woven with threads of skepticism and naturalism. Carlin’s transformation from a clean-cut performer to a long-haired truth-seeker mirrors Hume’s journey from structured philosophical arguments to the serene acceptance of life’s simplicity. Carlin’s relentless pursuit of truth through comedy was not merely an act of rebellion; it was a profound exploration of human consciousness. Scrutiny of language, such as the transition from “shellshock” to “post-traumatic stress disorder,” elucidates the power of euphemisms in sanitizing harsh realities and fostering societal complacency. This linguistic dissection aligns with Hume’s philosophical examinations of how abstract terms often lead to empty rhetoric, steering away from genuine understanding. The institutional critique shared by both thinkers highlights a resistance to established norms. While Hume subtly undermined religious authority through his philosophical discourses, Carlin’s overt confrontations with religious narratives through logic and humor brought these debates to the masses. This duality of approach underscores their shared commitment to challenging the status quo and advocating for intellectual freedom. Naturalistic worldview further cements this connection. Hume’s rejection of miracles and metaphysical entities is mirrored in Carlin’s “The Big Electron” monologue, which posits a non-judging universe governed by natural laws rather than divine intervention. Such perspectives invite an embracing of a worldview grounded in observable phenomena, urging the abandonment of unfounded beliefs.
Ultimately, the linguistic analysis both engaged in underscores the profound impact of language on perception. Hume’s insights into the misuse of abstract terms reveal how philosophical discourse can become detached from reality, while Carlin’s deconstruction of euphemisms highlights the societal tendency to cloak uncomfortable truths. Both thinkers implore us to recognize and challenge the linguistic constructs that shape the understanding of the world. By fostering critical thinking and illuminating the intricacies of human nature, Carlin and Hume leave an enduring legacy. The work transcends temporal and methodological boundaries, inviting engagement in a never-ending quest for truth and authenticity. It is through questioning of conventions and embracing of naturalism that it is found a pathway to genuine intellectual and emotional liberation is found.
DUSTY: Oh, come ON! It’s OBVIOUS why Carlin and Hume resonate so deeply despite differences in approach. Carlin cut through the nonsense with humor while Hume dissected it with logic—both aiming to expose the same fundamental truths. Carlin’s comedic exploration of language isn’t just a bunch of jokes; it’s practically a public SERVICE! Every time a deconstructs a euphemism, it forces confrontation with the reality being sugar-coated. THAT is why Carlin was a genius! Empiric: And Hume? Dusty: Doing the same thing centuries earlier, just with a more academic flair. Critiques of institutions were more than rebellious acts. It was all NECESSARY. Hume subtly undermined religious authority, sure, but Carlin took it a step further by MOCKING it openly, making the critique accessible to EVERYONE.
And the naturalistic worldview? That’s just the cherry on top! Both dismissed supernatural explanations, with grounding views in observable reality. Carlin’s “Big Electron” monologue is a perfect example—no judgment, just the way things ARE. Hume did the same but with philosophical rigor, rejecting miracles and other metaphysical nonsense.
Bard: Language shapes perception, folks! Hume knew it, Carlin knew it, and with half a brain it should be known. Recognized that abstract terms and euphemisms can lead to meaningless drivel, steering away from the truth. By breaking down these linguistic barriers, pushed towards a clearer, more honest understanding of the world.
Dusty: So yeah, the work transcends time and methodology, pushing to constantly QUESTION and SEEK truth. It’s not just about rejecting conventions; it’s about finding REAL intellectual and emotional freedom by embracing naturalism and confronting uncomfortable truths. THAT is the legacy!
Empiric: Absolutely! The rejection of supernatural explanations is quintessential to both Hume’s and Carlin’s perspectives. Hume, in philosophical arguments, firmly discarded miracles, asserting that reliance on empirical evidence was the only way to grasp the true nature of reality. Carlin, with unparalleled wit, echoed this sentiment in “The Big Electron” monologue, proposing a universe ruled by natural laws instead of divine judgment. Let’s delve deeper into how both thinkers dissected language to illuminate truths. Hume’s critique of abstract terms unveiled how philosophical discourse can drift into irrelevance, away from tangible experience. Carlin took this a step further by confronting euphemisms head-on, revealing society’s tendency to obscure uncomfortable realities through sanitized language. This linguistic analysis is pivotal to the legacies, underscoring the power of words in shaping the perception of the world. Moving to the point.
Naturalistic Worldview – Both embraced natural rather than supernatural explanations:
Hume’s rejection of miracles and metaphysical entities beyond experience
Carlin’s “The Big Electron” monologue suggests a non-judging natural universe
Bessie: Know, the essence of the philosophies goes beyond mere skepticism; it reaches into the depths of awakening, unveiling truths that many dare not face. Hume and Carlin, in their distinct eras, shattered the illusions of supernatural explanations, grounding them firmly in the observable reality.
Dusty: Hold up! So, this is to say two were just tearing down the same nonsense? Hume with all his fancy logic and Carlin just saying, “IT’S ALL BULLSHIT!” That’s hilarious and spot on!
Bessie: Exactly, Dusty. Hume’s rejection of miracles and metaphysical entities urged us to rely on empirical evidence, while Carlin’s “The Big Electron” monologue painted a universe governed by natural laws, devoid of divine judgment. Dusty: See, this is what makes the two GENIUSES! We weren’t just critiquing for the sake of it. Offering a pathway to genuine intellectual and emotional liberation. Real talk, Bessie! Bessie: Indeed. The work transcends time and methodology, inviting us to continually question and seek truth, not just rejecting conventions but embracing a worldview grounded in naturalism and confronting uncomfortable truths. That is an enduring legacy.
Bard: Allow me to offer a final point to Empiric as a gesture of kindness. Both thinkers understood the profound impact of language on shaping perception:
Hume’s examination of how abstract terms can create meaningless philosophy
Carlin’s deconstruction of euphemisms as tools to hide unpleasant realities Empiric: Delve deeper into this final point, Bard. The essence of Hume’s philosophy lies in the rigorous analysis of language. THE posited that abstract terms, when not grounded in empirical evidence, lead to nonsensical and often contradictory philosophies. Hume contended that many metaphysical concepts were mere linguistic constructs without any basis in observable reality. This critical stance on language dismantled various philosophical doctrines that relied on abstract reasoning detached from experience. Carlin, on the other hand, approached language from a social critique perspective. A dissection of euphemisms revealed how language can be manipulated to obscure harsh truths and sanitize reality. In doing so, Carlin exposed the use of euphemisms as a means to soften the impact of unpleasant realities, thus distancing society from confronting genuine issues. By deconstructing these linguistic tools, Carlin highlighted the importance of transparent and direct communication as a vehicle for truth. Both Hume and Carlin, through respective eras and methodologies, underscored the power of language in shaping human perception and understanding. Urged to remain vigilant against linguistic manipulations that can distort truth and hinder intellectual and emotional liberation. This profound insight into language remains a cornerstone.
Dusty: Unaddressed Points in the Conversation. In the intricate discussion surrounding David Hume and George Carlin, several key points remain unaddressed. These points, though implicitly touched upon, warrant further exploration to fully appreciate the depth of their critiques:
• The Evolution of Skepticism: While the conversation highlights Hume’s epistemological skepticism and Carlin’s societal skepticism, it does not delve into how their skepticism evolved. Understanding the progression of thoughts could provide a richer context for their critiques. • Impact on Contemporary Thought: The discussion briefly mentions the influence of Hume and Carlin, but it does not fully explore their lasting impact on modern philosophy and comedy. Examining how their ideas continue to resonate in contemporary discourse would offer a more comprehensive view of their legacies. • Personal Philosophies and Motivations: Both Hume and Carlin had personal philosophies and motivations that drove their work. While the conversation touches on overarching beliefs, a more detailed examination of their journeys and what inspired their critiques would be insightful. • Comparison of Methodologies: The conversation compares Hume’s philosophical rigor with Carlin’s comedic approach, but it does not fully address the differences in the methodologies. A deeper analysis of how the methods differ and what each approach contributes to the critiques would enhance the understanding of the work. • Responses to Criticism: Both thinkers faced significant criticism during their lifetimes. The conversation does not explore responses to these critiques and how this shaped the subsequent work. Understanding the reactions to criticism could provide valuable insights into resilience and adaptability. • Broader Cultural Context: The conversation focuses on the individual contributions of Hume and Carlin, but it does not situate the work within the broader cultural contexts of the times lived through. Exploring the societal and historical factors that influenced the ideas would offer a more nuanced perspective on the given critiques. By addressing these points, the conversation can be enriched, providing a more holistic understanding of the profound contributions of David Hume and George Carlin to philosophy and comedy.
Bessie: While Dusty’s points are certainly valid, it’s essential to recognize that the conversation’s scope was to present a broad overview rather than an exhaustive analysis. Addressing every aspect Dusty mentioned would require a more extensive discussion. Empiric: Indeed, Bessie. Let’s consider the first point, the evolution of skepticism. While an in-depth exploration of Hume’s and Carlin’s evolving thoughts would be fascinating, the conversation aimed to highlight their pivotal contributions rather than chart every nuance of their intellectual development. Bessie: As for the impact on contemporary thought, it’s clear that both Hume and Carlin continue to influence modern philosophy and comedy. However, the focus was on summarizing their seminal ideas and methodologies. Detailed case studies of their influence can be found in specialized literature.
Bard: Regarding personal philosophies and motivations, Dusty rightly points out that delving into the personal journeys would enrich the discussion. However, biographies and autobiographies offer a more fitting platform for such an exploration, beyond the scope of our initial conversation.
Bessie: When comparing methodologies, the essence of the approaches—Hume’s rigor and Carlin’s wit—is without getting bogged down by the minutiae of techniques. The subtlety lies in appreciating the methods without detracting from the primary focus on the critiques.
Empiric: Responses to criticism are indeed significant, but the conversation was structured to understand the critiques’ substance rather than personal battles. Detailed accounts of how Hume and Carlin handled criticism can be explored separately. Bessie: And while the broader cultural context is essential, situating each thinker within the respective eras would require a more historical approach. When the aim was to focus on the intellectual legacies rather than the socio-political intricacies of their times.
Bard: In conclusion, while Dusty’s points are invaluable for a deeper dive, the conversation’s goal was to present a coherent narrative on Hume’s and Carlin’s critiques. For those interested in a more granular analysis, additional resources and specialized studies await exploration. Providing information for readers up to this point. Thanks for the time given for reading. Support the site by subscribing, sharing, liking, or commenting, as it is appreciated. More information can be found through the links below.
1st piece of puzzlement: Tossing in the mask- Inked Path: One history to explain in more detail
Away-Ink: Becoming the clown bonkers
Puzzlement: Tossing in the mask
2nd piece of puzzlement: Tossing in the mask- Inked Path: One history to explain in more detail
Amongst the Frames
No: TAP Bird: A door opens, and the opportunity is taken. A new and different fiefdom is found
Steel: There is something out there that is new. No: There is nothing new. Steel: Were any doors open?
No: The skills are barely good enough to tap a foot
No: And need help with a door. Steel: Something. No: Food is here. Steel: Something else. No: FOOD!
No: Why is learning in the living room? Steel: Cause of the documentary style of delivery, it will feel like a show. No: Could have used the reporter for the reading. Old man: The Wise birds to know are crows and need to be removed by scarecrows.
Steel: Aww, the first one is cute No: But it’s an owl, not a crow, and the Old man said Crow. Old Man: Sorry for the mistake. No: Even John is good for two things.
Bird: Why is nothing moving, or can’t talk? Spider: So, another can talk. Bird: The whisper is a scream in the quietness.
Spider: A new place, or is this a known place? Crow: A new place. And for? Torch is the name. A turn for the question? Crow: Never received a name, a knowing look gave the cue to follow along. Torch: Hmm, may need a moment to think of a name. But with open eyes, the new can be seen in the blankness.
Steel: Allow a space to be had No: Yeah, yeah! That trick was used already. Steel: How about a game of spinning choice? No: A game and the prizes are what? Steel: An unfinished pillow for the new bed.
No: Is there going to be food after the training? Steel: Of course, that is a then question, though. No: Not for the veggies already cut.
Bird: Odd, the quietness was never a bother till finding the door, and now the quietness is more intense. It is the stillness of here… It brings much to find
The form changes without movement
Steel: With food eating. The next lesson can be taken. No: BURP Steel UGH! That is so foul. Old man: burp.
No: that is foul and needs a window. Steel: Is there a crow and a spider talking? No: Is John? Being controlled without a door? Steel: That was the lesson earlier for the foot tap.
No: The foot? Wasn’t it the finger? Steel? Hey. Hey. Hey. Hey. Hey. Steel: Just. Wait. No: Hey. Hey. Hey. Steel: Watching birds. No: Well, the answer is easy; it is focused and unfocused for the win.
See the crow. Steel: A taunting!
John: Fixodent with ice? Oldman: Why? John: The smell. Oldman: That’s for soaking according to… This mind is not drinking. John: Soaking what? Oldman: The teeth. John: Drink, soak the same thing, just hold the water. Oldman: The teeth come out of the mouth. No: Too much. Now, to look out the window. What is the spider doing?
Steel: The bird is sitting there talking to a spider. No: Why would a spider and a crow be friendly enough to talk? Steel: Plotting a way for the bird to return the spider to the cabin. No: So, now the spider is the one banished earlier. Steel: Yes, and that same spider is a lining with a force. Just to find a new way into the cabin. No: How does the plot go?
Steel: Once upon a twisted web, there was a nest of baby spiders waiting for the breeze to begin the life of an operative. It’s the lifelong mission to catch flies in the webs the artisans are born to make. No: Do go on. Steel: Only. One. Spider decided to stay behind as the others floated away. It had a feeling that the cabin was the needed place for it to be, and through an open window, it found a home to stay. Bad dusting left the home be till the freeze.
Steel: Well, this was until a bunny takes over a scarecrow, that is. Now tossed away and seeing the shell that once held the home, the spider was known. A return home needed a friend for a fiendish framing of actions to form a fundamental falsifiability of the bunny’s form. No: What? Steel: The Spider is looking to undo the work done by No. No: But it was done, and it’s known how it goes away?
Spiders away Crow: How about the air no home dome? Torch: Don’t. Not is better to say. Good at the air sheet. Crow: Get close, so there is little need. Spiders away!
Steel: Close that. Seal, seal, and the fireplace. The place needs to be cleaned. It is not the best way to stop a bug, but it is a way. No dust. Just no dust. The beds. No check the beds. There is dust here; there is dust.
No: Then lift the chair and sweep the dust away. Steel: Find the broom. Well, be a help. Torch: There may be a need for learning to do the sheet better.
Steel: Why is the reporter up there? No: Hiding up there with the swatter. Since the talk. Torch: Darkness is a friend at this time. Glad the swatter hit the ledge incorrectly. No: Hiding there is not going to help.
No: It’s time for a dance-off with the other. Steel: It is known that it’s a reflection, right? No: OOOON! The lucky foot. John: Too many No’s for one place
Nostos: The wildcard presents for a second time.
Nostos: A return to the wild card. No: A return from? Nostos: To here. No: How could there be a return here? Nostos: As this place was left before? No: When was that? Nostos: Wild how the memory works. No: Would that be a fantasy adventure?
Nostos: What could be placed here for a fantasy adventure? Steel: Now, there is foliage in the cabin. What other intrusions were brought? No: Plants only bring small ones, not big ones. Steel: Those are the ones feared. Nostos: Sounds as if the eight legs of a string are to be told. To be told. Reporter: A swatter for those brought about.
(song) No, el matamoscas mata las plantas, lo que hace que la vida sea cómoda. John: Nothing left behind, nothing.
Outside with it. John: Now to finish all this with a bag to the curb. Oldman: It’s odd how fast things grow and get tossed nowadays.
Nostos: Plants are that easy to grow now. No: Easy to be of size with clear thinking. Nostos: Madness can clear the mind of the other. No: Wasn’t that a part of the memory? Nostos: No, no. In the last appointment, uneven, which led to craziness.
3rd piece of puzzlement: Tossing in the mask- Inked Path: One history to explain in more detail
The Clone Did It: Five missing in Baby Lake
Oh! Don’t be so shocked by the number of case files being set. Amila Leap: What about the bench that feels like a removal in its own right? What does that mean? Richard Avant: Please don’t leap, thinking that the bench is a blind spot for the desk. Would that be a reference to A, the wait time, or B, the person sitting there? Amila Leap: The person. Yes, part of the files. Hear things when the hesitation is given.
Amila Leap: Was answered? Richard Avant: Now, Now. Please don’t try for a fight. Amila Leap: Hmm… What of the rank difference? Richard Avant: Want the first castigation tied to an answer?
Ted Canox: Hi there, Jenny, right? Linda Canox: Like it would be forgotten. Hi, the wife. Jenny Homes: As noted earlier today, Ted initiated a discussion about borders while the BIA was investigating. Linda Canox: The safety of the water border compared to the openness that can be had with different countries. Jenny Homes: That is right. It was a bit of odd thinking cause things do change in Ecauns in the Tonic’s. Ted Canox: True to the place the person is in, but there is a contrast in thinking. As in Ecauns, the country has single-minded thinking.
Ted Canox: While the borders of the second continent, Riroga, provide different countries, which causes thought systems to change. Linda Canox: Lisa, was this the debate before? Lisa Canox: Yes, it was. Linda Canox: Okay, in one way things are different… How is the cost of living? Jenny Homes: Actually, since coming to Baby Lake. The cost of living is a bit higher than Way Over. Most likely caused by the school and trading, and amusement park.
Linda Canox: Hmm… That would be a moot point then. How about the differences in knowing the pros and cons of city travel? Jenny Homes: That is kind of easy to tell. Ted Canox: Then the first shift. Well-defined borders can create a sense of order and control, which can be psychologically comforting. This can be particularly important in urban areas where chaos and disorder are more common. Jenny Homes: Commonplace thinking changes. Reported on Naria, how would that differ in the format of Dales? Linda Canox: Oh, the puppet articles. Where fun to read from Ecuans, but I had missed the point.
Linda Canox: Other than “The Wording,” it had a good history article on the country’s traditions. Jenny Homes: Seen any other reports from “The Wording?” Linda Canox: No. Have not looked. Jenny Homes: Being the host of “The Wording,” thanks for the view. Ted Canox: What is the Article line for Baby Lake? Jenny Homes: Those going missing. Anyway, the topic at hand. Linda Canox: Working from there, the difference can be seen in the use of the mask reported on.
Dusty: Allowing the interruption on this. Bard: But the turn is at the end, not now. Dusty: Hence the saying. The article line talked of in this is as follows, for a better string to be had.
The clone did It: A string to tell-A History of Naria
Jenny: With the rotation of the videos limited to a week, the crew can refocus on the desired way to provide information. Last week, a topic was trending, and an article was needed. An undertaking about a puppet while still digging into the articles to find more. It would be best for today to step away and take time to draft a better article about the puppet. “The Wording” takes a step away from the puppet and looks at the history of the country.
Jenny: And the difference in a view from Naira, Riroga. A connection can automatically be made to the country of Dales, Riroga. Even if the two countries are not of the same nation, both have a tradition of wearing costumes for performances. The actor’s dressing to hide behind a mask in Naria and the puppeteers of Dale’s drama are enacted and enhanced by the chosen garments.
Jenny: The mask of Naria gave way to the more modern production methods of film, lights, and cameras. These are all combined in the plays to portray the necessary actions and emotions that light and mask did.
Jenny: The mask was required to change in the lights to give a change that was easy to see. Exaggerated features in the mask made the face’s features create those changes using lights. So, changes in time were made to the art form by newer methods that could be seen, so the actor did not need the mask.
Jenny: There are still performances with the mask, and the sculpting secrets are kept, making the work accurate to the first stage performances. A vibrant array of these mask forms is primarily carved in wood, ranging from small faces to large, fantastic forms with various appendages affixed to the wood, including shells, fiber, animal skins, seeds, flowers, and feathers.
Jenny: They often represent supernatural spirits and ancestors and have religious and social significance… The education and culture of a new place that explains what formed the orb makes it feel a little smaller, while adding to the puzzlement of the orb and wanting to know more.
4th piece of puzzlement: Tossing in the mask- Inked Path: One history to explain in more detail
Late to the party
5th piece of puzzlement: Tossing in the mask
The quibbles of the scribbles.
Empiric: The interruption should have a justification, as it genuinely helps. Therefore, it is best to leave it as is. Dusty: If the web development of the post has been completed, removing it might cause indexing issues. Bessie: Please let that go and address this question. Would adding amongst the frames here provide additional coverage? Incorporating advertisements within may seem unconventional for a gallery setup. Empiric: Yes, there is another post that further elaborates on the string. Dusty: Elaborates. That is a way of putting it. But since the work has changed to being once a week, that overdone effect adds to the weekly reading. Bard: Jumping in just to say something. The change in approach has made the comic strip come to life in a new and if not for the readers this far it would be nothing.
1st Piece of puzzlement: the card passed along- Inked path: When a clown gets a clue
Away-ink: Become the clown bonkers
Mitchel: That was a palooka. Nice to know it’s a maze. But the show will have to be repeated cause a lot was missing in the conversation. Inkle: The obliviated tale leaves that as the takeaway. Mitchel: Was it a lot missed?
Terry: Yes. Jon: Hi, and welcome to the shop. Yes, A few questions regarding the tank setup and use. Jon: Please wait here. Okay. Jon: Terry, the floor awaits. Terry: Why? Jon: Tank setup questions. Terry: Ugh.
Jon: Oh, the movie is still going. Mitchel: Yes, and just rewinding to the main point of the string. Vaticinator: What about the strings of the fishing and the two see a new cyclorama. Along with the others, twisted into a maze. Jon: What? That sounds like a fun thing to hear. Mitchel: Then hear that over there.
Jobo Lage: It sounds as if the text… It is going to be sent. Although a need to fix up and hide. Doug: Hello. Hello. Hmm… It would seem the light was a trick of the eye. Extra: The barrels are not moved about this time, and the padding is still in place. So, it might have been nothing but an overreaction. Doug: The last show had a few acting like it was nothing. Just a rule unknown by the few carrying a small thing, yes, but what reason would there be? Extra: With the higher cost of items such as the small thing in question. Which is an egg, not a drug. It was cheap as hell at the stand because it was a farmer trying to get enough to cover and not a company trying to cover and be greedy at the same time. Doug: Fine. Then tell the story of why the fine incurred was so dam high. Extra: Egg smuggling has become a significant issue as egg prices have soared due to a resurgence of avian flu and supply chain disruptions, which have led to a substantial increase in egg interceptions. Doug: That means it’s been done before. Why was the padding checked first? How many times has this happened? Extra: Well…Well…Hmm…It can’t be an easy thing to say.
D-D-D-Ing Dennis Rasmussen: What would be the reason for that padding to be hollow? Could that be the reason for the riders and fighters getting hurt? Wonder what’s going on that the picture is unaccompanied by any words. Jobo Lage: Sorry for the wait on the context of the picture. Dennis Rasmussen: That is fine. What is taking place there?
Jobo Lage: From what was just overheard, the padding problem seems to be based on eggs. Dennis Rasmussen: So, A full answer has not been then? Jobo Lage: At this moment, the picture and eggs are to lead to the next part of the cases, and the ladies coming in to dress the crew could be away to hear more without anything being given away. Before the Friday night show. Dennis Rasmussen: Now, the cases do need a lift into a place. I guess being called Jobo la burrito would be the payment for that. Jobo Lage: Would love to eat. Dennis Rasmussen: Hmm… a little more language skills to understand that.
Tammy: This is the smallest amount that could be brought for the show. Just be happy; it can be a single trip. Jobo Lage: If this is a single trip. What else could be brought? Anil: That is a tricky question. As there can be a lot that can be brought to a rodeo show. Tammy: Sad to say, telling the truth, la burrito. Jobo Lage: Twice now. What does that mean? Anil: Little Donkey.
Tammy: See answers, and now the closing of the door. Be cozy in the space; there are two barrels and four legs. Try to hold the weight up and off the table; it will not help. Just leaves the body stiff. Jobo Lage: Right. Tammy: Welcome, look, the first to show up. What kind of show is to be had tonight? Extra: Not sure if it’s the 30th show with this company.
Tammy: Really, what was the first like? Extra: When the gun fired, an electric shock. The gate opened, and the bull ran. The rope that was supposed to be tight wasn’t. That ride left the body sore for three days and could have caused injuries without prior training. Tammy: Doug does push for safety before the show. 30th show, right? Extra: Yes, the 30th show tonight. Hoping the record for riding Darken Door is broken tonight. Why the questioning there? Tammy: Speeds the process of cutting the hair. By hearing the conversation. Extra: Guess having two things going would help other than just focusing on one. Travel with this company across the border is the best part. Getting to see how the trading and the pop-up farmer markets run is the best way to settle the nerves. Just sitting and watching interactions with customers and farmers. Getting to see the trades of others that happen.
Tammy: Hi there, Doug. How are the ongoing events of the rodeo going? Doug: A bit hollowed out on things going. The rodeo tonight got a new clown that starts tonight, and if the show survives, the name is earned. Tammy: What is the thinking for the Name of the new clown? Doug: Was thinking about cone for the name. It would go with the look. Tammy: Haha. That would be a bonkers name. Doug: Hmm… It could be a stolen Idea. Tammy: How many times has the show gone over the border? Doug: The crossing of the border has been going on for a bit. At least five times a year, but for the most part, the show goes well enough. Granted, it would seem to be a better choice to start paying attention to things going on outside of the rodeo show. It may explain the parts that seem to be sliding out of balance. Then again, the smallest things can be overthought. Tammy: That would be the way things go, Doug. Just letting the small stuff go can break everything else. Doug: It would be the scare to worry about. Thanks. How many heads are left? Tammy: Only a few to go.
Doug: Get the newest clown and rider into the seat. Tammy: Seen the newest member of the casting today? Extra2: No. think Doug turned the training too high for… Jobo… Want to say Jobo, but not sure. Tammy: Can’t wait to meet the eremite that been hiding. How many shows have been survived with the company? Extra 2: Been with the show for at least fifteen shows? Tammy: How many shows over the border? Extra2: It’s been six shows for that. Tammy: What takes place over the border? Extra 2: It was the show that went across the border. At the start of the show, there was an egg stand. It was low in price, thought of as nothing. The rodeo was finished, and a single stand was still open, having a baker’s dozen left. The easy choice was to buy and carry the eggs back. It caused no problems. These were repeated a few times. Then, the first time getting caught, 6 baker’s dozen. Only had that much cause of helping others out. With the given thought, it is only eggs, so there was no harm. Tammy: What was the extra kick for the kindness? Extra2: It would disappear cause kindness is its reward. Hope the last one is ready for the show; the first one is an experience unlike any other.
Tammy: Well, was enough heard to build the case for the boss? Jobo: From the string told from the chair, that answer would be yes. From what was heard last night and the context just taken in the answer, it would seem that the new rider is getting eggs, and help is given by the other rider at a cost. Tammy: What was heard by these ears, too? Anil: Time for the makeup and the costume. Though I agree with the statement, what about Doug? Jobo Lage: Think the mind is blind, but quickly wakes to the bells going off. Anil: It would be best to wake up during the bells. Sometimes the only way to quiet those bells. Jobo Lage: Thanks for doing the custom. I hope this stiff feeling goes away by the show. Tammy: See, Jobo should have heeded the warning not to hold the body on the table, had the right support to be lossy sitting in the box. Jobo Lage: A truth that can’t be excused. Now for the Rodeo show tonight.
2nd Piece of puzzlement: the card passed along- Inked path: When a clown gets a clue
Used or Not.
Diamond Eye: Being stuck here doesn’t mean eating all the ice cream
Wise Man: And piant a happy little delivery here
3rd Piece of puzzlement: the card passed along- Inked path: When a clown gets a clue
Amongst the frames
Nostos: A return to the wild card. No: A return from? Nostos: To here. No: How could there be a return here? Nostos: As this place was left before? No: When was that? Nostos: Wild how the memory works. No: Would that be a fantasy adventure? Nostos: What could be placed here, for a fantasy adventure?
Steel: Now, there is foliage in the cabin. What other intrusions were brought? No: Plants only bring small ones, not big ones. Steel: Those are the ones feared. Nostos: Sounds as if the eight legs of a string are to be told. To be told. Reporter: a swatter for those brought about.
No, el matamoscas mata las plantas, lo que hace que la vida sea cómoda. John: Nothing left behind, nothing.
Late to the party
Why? It all starts. To know more. Okay, go. Make the beard.
4th Piece of puzzlement: the card passed along- Inked path: When a clown gets a clue
The Clone Did It: Five Missing in Baby Lake
Empiric: Even if the tasking for Rye Low was low in effort. The fan base was already there. The bouncing of the game from street to street turned up fans with a very b-ball game, and the crowd grows. Till the crowd was getting eight matches a night, and the history of the game is made by promoters. That leads to bigger venues being offered.
Richard Avant: Sorry for the accommodations. What took place when Jothan walked away? Was with Rachel Losi, having a colloquy that could not wait. Richard Avant: Was this the same Rachel reported missing this morning? What? Well, come to think of it, yeah.
Jenny Homes: Hi there, I have a few questions about what is going on. Ted Canox: Not the best source. I saw a few of the basketball team walking around earlier. Lisa Canox: Wouldn’t that fall under the stranger danger? Jenny Homes: HAHA! Sorry, Jenny, and the pleasure of speaking to you Ted Canox: Sorry, Ted and Lisa, thanks for keeping things honest. Jenny Homes: A good thing. Lisa Canox: But the players are looking for two that disappeared on the walkway near the water. Jenny Homes: Guessing that the two walked off, and the full story is unknown.
Ted Canox: The reason for being here. It is what was seen by Lisa earlier. Jenny Homes: The explanation of energy is so awkward, at least. The truth can’t be said, and BIA helps the output. Ted Canox: Right, could be all there is to it. Jenny Homes: The way a conversation can be turned just cause what is going on. Ted Canox: Not born in Ecauns?
Jenny Homes: Why would that be the question? Ted Canox: The utterance sounds of Dales. Jenny Homes: No, I was born in Way Over City. Lisa Canox: Kedatonic is the right name. Jenny Homes: Yes, and where was home for the two? Ted Canox: Dales. Jenny Homes: Oh, here for the Muda INC.? Ted Canox: Yes, the Wife was hired from Dales for Muda Inc. HR manager teams. Jenny Homes: Considering the needed resume for the company, congrats to the wife. Ted. Canox: Yes, it doesn’t hurt that the VP Ceja Rose gave a recommendation also.
Jenny Homes: Hopefully, the wife can be met later. But how is the thinking of Ecauns different from Dales? Ted Canox: The Water border allows for the thinking to be different for the country. By the safety that is provided by it. Jenny Homes: Now that could be a different way to think of things going forward. Ted Canox: Glad to break the mind in that way. It would be nice to have a friend near in Ecauns. Jenny Homes: Yes, it would be. There is a great Diner up the road. Lisa Canox: The place from this morning? Amila Leap: Sir, please ask questions for the daughter.
5th Piece of puzzlement: the card passed along- Inked path: When a clown gets a clue
The quibbles of the scribbles
Bard: The conversation is great in “The Clone Did It,” but what is the statement from Empiric about? Dusty: Go to last week’s post, then back here, makes more sense then. Bard: A click to the last post, and it makes sense. Thanks for that, Dusty.
Dusty: WOW!!! That’s a Great thing to help a mind be better for the readers this far. Thanks for the time and read. Please help support the site by subscribing, sharing, liking, or commenting; it all helps. As always, grateful for the support of the work. Find more with the links below.
6th Piece of puzzlement: the card passed along- Inked path: When a clown gets a clue
1st piece of the puzzlement that’s an echo: inked path: the maze for 2 is told.
The Clone Did It: Five missing in Baby Lake
So, walking into the park, the things to know are these: The son of B-ball street ball founder Rye Low’s son, Jothan Low, has gone missing. The coach is gathering the team back up from searching around the park after Jothan walks away to talk with Rachel Losi. Amila Leap: Hello, lead. Richard Avant: Yeah, I was thinking it was not going to be a lead. What does that mean?
Amila Leap: It is lined up with the first missing person case and is part of the second. Hope the interviews bring it to a focus then. Amila Leap: Don’t hope. Ask the questions that open that door. Richard Avant: Going to be a narrow window.
Amila Leap: Yes, and a narrow Window provides a view that can then be strategically looked at for more. Richard Avant: An interesting way to work. Amila Leap: It was learned to just ask questions and see where it goes. Till the learned point, then break.
(Writing) Jenny Homes: The first code for missing will be lost a bit. As the team runs for the court at the yelling of the coach, a few Bia Agents are entering the park. It would seem the name carries weight or is just the standard response time.
Jenny Homes: If there is a chance? Questions to be pressed. Pay attention to the wording of the answers by the agents spoken to, as the structure could be answered unwittingly. Use this additional information in the report on Random when asked by Mister Brian Zain. Empiric: History for the BSB. Why? Would Jenny think it a better thing than reporting the first Article Line? Then again, when the chase begins, it does seem the first does get lost sometimes. That comes from researching the reports so much.
Empiric: Before posting the last read. The Founder of the BSB Rye Low took the hip shot when founding the league. After selling, A bar earned from playing street ball games through bets. The new owners renamed the bar Club MJ and Rye Low in an echo of the words “Having the needed bank to roll the B-Ball Street Ball. It was taking the show on the road to get the fans behind the game.”
2nd piece of the puzzlement that’s an echo: inked path: the maze for 2 is told.
Amongst The Frames.
Steel: Where is the reporter up there? No: Hiding up there with the swatter. Since the talk. Torch: Darkness is a friend at this time. Glad the swatter hit the ledge incorrectly. No: Hiding there is not going to help.
No: It’s time for a dance-off with the other. Steel: It is known that it’s a reflection, right? No: OOOON! The lucky foot. John: Too many No’s for one place
Nostos: The wildcard presents for a second time.
3rd piece of the puzzlement that’s an echo: inked path: the maze for 2 is told.
Late to the Party
Please explain the reason for being late. Well, Flying so high on the wind. Freedom till the rebirth. A bit dark, but still an excuse to be had.
4th piece of the puzzlement that’s an echo: inked path: the maze for 2 is told.
Used or Not
Puzzlement: That’s An Echo.
5th piece of the puzzlement that’s an echo: inked path: the maze for 2 is told.
Away-Ink: Becoming the clown bonkers
Jobo Lage: It sounds as if the text… It is going to be sent. Although a need to fix up and hide. Doug: Hello. Hello. Hmm… It would seem the light was a trick of the eyes. Extra: The barrels are not moved about this time, and the padding is still in place. So, it might have been nothing but an overreaction. Doug: The last show had a few acting like it was nothing. Just a rule unknown by the few carrying a small thing, yes, but what reason would there be? Extra: With the higher cost of items such as the small thing in question. Which is an egg, not a drug. It was cheap as hell at the stand cause it was a farmer trying to get enough to cover and not a company trying to cover and be greedy at the same time. Doug: Fine. Then tell the story of why the fine incurred was so dam high. Extra: Egg smuggling has become a significant issue, as the egg prices have soared due to a resurgence of avian flu and supply chain disruptions, which have led to a substantial increase in egg interceptions. Doug: That means it’s been done before. Why was the padding checked first? How many times has this happened?
Extra: Well…Well…Hmm…It can’t be an easy thing to say. D-D-D-Ing Dennis Rasmussen: What would be the reason for that padding to be hollow? Could that be the reason for the riders and fighters getting hurt? Wonder what’s going on that the picture is unaccompanied by any words.
Inkle: Mute while the ads play, please. Mitchell: Oh, what is added by the shadow over the ads? Inkle: It will be better than hearing a jingle for a pill that causes the eyes to bleed. Mitchel: What are the meds used for that involve the eyes? Vaticinator: The subject is not whatever this is. Other than a conversation to have another time. Inkle: Earlier, asked about the devices. Would this be a point of good or bad in the last scene of the movie? Terry: Honesty, that would come down to the view had. The use of the device is easy to point out in either context. It shows how quickly information can be given to another. All the while, it also shows how there could be parts of the information missing from the speed. It was delivered to the other. But Dennis Rasmussen, in this case, only posed a question of whether there is more. Vaticinator: A high in sight of a mind convinced the picture is not all there is to see. But in A way, the use of devices was limited to text messages or calls. Why was that?
Terry: The great digging. It was from the use of the device. The first orb the device grows through use, the device’s productions start to consume everything. To a point, the cages built are starting to be turned upside down. For a better and more reliable connection. Try to find a way for everything to be bridged to the device. To a point, the use grows so far out of craziness that stone heads start to pop up to tell a story of the day that do not need to be there. Then, once a single video of a stone head was watched in full, it gained a bit of merit in a generated math system that decided the value of information. Then there was more popping up inline the last message given. Changing a few words but sounding the same. This would grow until the heads lined the device’s information feeds. It would become the thinking of the pets. Even though at this time, the cage was the size of the building. The company of OEB. I was thinking the pets could be controlled and kept in cages. However, the device became the driving mission of a few pets trying to connect every pet to a device. Pressing the wanted boundaries. It became too much, and the choice to freeze the cage and place the pets in storage or elsewhere was made. Then, along comes the cage of “Away.” This cage’s string was almost the same as the first, though the cage was more controlled, and the pets were driving the device. Start to disappear from the cage. Even if it was a pet removed from the cage. OEB chooses to try a new shadowed pet. It works; the shadows and mains don’t talk. The orb slows down and is easy to control. Until it shrank to the size of this store’s basement, and when it was placed here, a few cameras were placed inside the cage to watch what takes place. Then, the public starts to wonder what is under the patch of dirt. The company tries to keep others from going near the dirt, a fruitless endeavor for OEB. The choice to place a building. A few months later, a batch of three pets is to be tossed cause of a defect when being made. That grows the idea of using the buildings that are not in use to sell defective pets to the public to make a profit for the company. This was taken as a good business choice. Mitchell: The reference to three is to the last three in this cyclorama. So, the main orb is the third version of the cages for OEB. Away the second and La Tinta the first. Which of the two activated in the cyclorama? Would the placement of those two be an inconvenience for the cyclorama of “Away?” Vaticinator: The question holds a lot of merit to be asked. Inkle: The last two are easier to get lost in the device. But take that way, and the mind seems to awaken and become more aware of the location. It was first tried in a palooka of a show watched by the two called Riddle. Allow a string to be twisted.
So, a chip chop snack causes “It’s the chip that pays.” Not losing the bet. OH! A speedy sloth. Well, the Gods of TV are not helping. A maze, but how to engage it?
Just change the channel, and it will be fine, right? A hoagie became the yogi that showed a plank’s stillness and a board’s stiffness. The teachings of that hoagie guide the work today. HAHAHAHAHA!!!!! What the…
The news will have to do then. The blue flower brings the mind on a trip. The power that can change the intensity is not seen. Change gives life to the unknown, allowing the wrapping of the mind to set the place for the new. That message should be overlooked, as was once said. Now, it is a hushed message by the judge. A filtering system has failed for the public, leaving the Janitor to clean. Stay tuned. A good movie Changing the channel.
It needs to be said that the yogi has been eaten and will never plank again. The information on this gives an idea of playing the 174. NEWS! Wins
So, what was the bet? Shut it. It all seems set to fail, and the WTP management is warning of problems caused by sound vibrations in the pipes caused by debris in the system.
Just wait here. Why? The maze is set, and the inhabitants are to run.
The suit is not worn in the mirror. Mystifying as a suit could be, it helps little Scott. Obscure things break any mysticism. Bradly Vincent: A new set of detectives, truth be told. As to the last, there are no bigger fish to fry.
I guess it is more of a mystery than the other one. Bradly Vincent: Only the screamed words from the bars. The blue flower brings the mind on a new trip. The power is not seen in that which can change the intensity. The change gives life to the unknown, allowing the wrapping of the mind to set the place for the new.
Why is the news playing? Aware of the suit and no words…. Pay mind, please. Why is the saying a riddle? Why would it be a riddle? Supposing Vincent is not talking, only repeating the words. The current state was a trial, not a pretrial, ergo, a riddle to lead. Like the Leap Show. Considering the mirror. That means this is the past. What if the work is to set the trial not to happen? The intensity line gives the thinking: if given nothing, what happens? That is…Any… Guessing to try it would be okay.
Inkle: Palooka is the best term for this gambit. Keep it in mind going forward. Ant: Schlemiel is not the wanted outcome, okay. Antti: Why are there all new detectives? Inkle: A new case, Antti, is of a harmful zebra. Antti: Again?
That zebra was used in Riddle, right? Wasn’t the Leap show being used as the concept idea? And that is an episode of Riddle? GET THE UMBRELLA from the ZEBRA!!! UGH…Yes… So, the riddle is proper, not the leap.
STAY IN PLACE!!!! When asked to take on a new role, marlinker helped deepen the look for the part.
Antti: Back to the zebra case. Leads nowhere. Is that Antti over there? Oh, it’s the current version, Lage, but wasn’t the case ended on the board? If the unknown leads to being further in. What would the known do? Now, to know the nose. No to know the nose. There is a need to know the nose. No nose.
Extra: ZOMBIES!!! ZOMBIES!!! TELL NO LIES!!! Is it a warning or a sign of this way for more? Is it known or unknown? Unknown. A plan. Not the unknown.
The main objective is to get to the board and talk to Antti. Then, ask if fresh eyes are needed for the board. Too simple. Where did the zebra go? Need A break from the current case? Antti: Wouldn’t help with the zebra. Was thinking about the board case. Antti: The board, sure.
Why do the pictures line up in an X shape?
Ant: Why is there a zebra? Inkle: For the show to be comprehended, it must be a part of the comprised format. Ant: Keep the costumes if the palooka stays the right way. Guessing odd yelling will not get that done.
Ant: The board has a grouping. Antti: The shape is just the way the pictures were put up. Could there be more to it? An answer to the mistake. Antti: How does a train station fit the pictures and a movie theater? A riddle to be solved.
Guest starring the ant as a random office shadow. How do a train and a movie stand out as odd? There is a park bench and a retirement unless the train and movie fit is being retired. Why are they there? Antti: Here is a photo of John. Took the pictures from the wall and said it was a map hiding in the images. What about the backstory of the retirement?
Reading the Cliff Notes on the board, the last movie reviewed by Ahisice was locked away. Guest starring, Hey there, what is going on? It’s A???
Antti: A secret agent hiding money. It’s a thriller kind of movie. Does it have a key that comes to mind? Antti: After 55 years of reviewing movies, it’s a small logical leap to think the photos hide a map. Many movies have that plot point. Then, how are the 1000-word images telling the yarn John was hearing?
Antti: It was a whole night crew thinking the same thing. The greasy spoon diner of those movies conjured up was far removed from the steak house worked at by the crew worked.
Guest starring: The one right. How has it been? How about this? A staple is the bench scene, which explains where to head. The 220 or 55 number is the guide. What train station has either number in the address? Then, the number of unused lockers is the locker holding the compensation. Antti: Found the case and solved the crew’s thinking. What a day. The title of Couch Bump King is correct.
Okay, then, why is the hallway getting longer? End Of Maze Fluffy: Was Unable to collect the gathered in there. Inkle: Needed to try. Guest starring a cameo by Inkle
Inkle: Allow the string to stop there, as the next part took a lot of time to the indicating of the yarns told by the ants. Mitchel: That was a palooka, nice to know it’s a maze. But the show is going to have to be repeated cause a lot was missed in the conversation.
6th piece of the puzzlement that’s an echo: inked path: the maze for 2 is told.
The quibbles of the scribbles
Bessie: The maze was a fun run. Dusty: Shows the flash of the current work. Bard: That it does, Dusty. So, kind of the point made. To the readers this far… Thanks for the time and read. Please help support the site by subscribing, sharing, liking, or commenting; it all helps. As always, grateful for the support of the work. Find more with the links below.
Richard Avant: I have to be thankful for the interviewing skills I have. Amila Leap: Why would that be? Richard Avant: The information flowed easily from the pauses during the interview, leading the question to the right places. Amila Leap: Yes, even though the last one sits a little odd. Richard Avant: Guessing how the work of the aunt was given without prying for more.
Richard Avant: Is it a misdirection of a lead? Amila Leap: A bull would be blind after this. What if it is that? A misdirection from the real truth to the one that fits. Richard Avant: So, turn the reason for the investigation to find out the real, not what fits.
Amila Leap: What would be found at the Next stop? Richard Avant: Wait to find out. Before it can be pressed onto University Park. Seems another youth has gone missing. Two youths walked from the B-Ball court. To have a colloquy. Amila Leap: Hmm… A word not heard. Richard Avant: Haha. The difference that can be had, just one city over.
Amila leap: Like the abduction by aliens of youth. Richard Avant: Too bad the aliens saw the locals get famous and cleaned up the mess of the circles. Amila Leap: A missing person case from a park. Is the park close to the other one? Richard Avant: The other side of Baby Lake is closer to the University.
Jenny Homes: Hi there, I have a few questions. Shadow: Guessing, it would be about the reason for watching the water. Jenny Homes: Okay, why is the water being watched? One of the other players left the court. Jenny Homes: Would it be Jothan Low, right? Yes, walked away from the court, starting a colloquy with Rachel Losi.
Jenny Homes: Rachel Losi. Are the two known to hang out? Not really, known for that, Jothan would go to Reachel for the pedagogic after classes. Jenny Homes: How many would go to? Honesty never went, but a few went when the class was too much. Others would go to get help. Jenny Homes: Thanks. Hope Jothan is found. Thanks.
2nd piece of puzzlement the energy carries
Away-Ink: Becoming the clown Bonkers
Inkle: The cyclorama had two new cameras. What would those be used for and… Why? Terry: Those are to film the cyclorama for OBE. Whatever is filmed is edited into TV content and delivered to the consumer. I wish to watch the pets on TV. Having to be responsible for owning the pet would be more of an impeded to the time not had. Ads for the pet will be made here and played during the shows to sell the pet’s ownership. But making the Show more appealing for the fan would be a boost for the content that makes the ads not needed. Vaticinator: Is this to mean the Cages once knew? Do they now need to be ads in their rights? Mitchel: The Bowl is empty from the first part of the movie watched and needs to be refilled. Now, the questions being asked point to the first conversation of surroundings, circumstances, environment, background, or settings that determine, specify, or clarify the meaning of an event or other occurrence. Inkle: And once again, echoes of the conversation are returning to the three points, which are as follows.
Scope: Context is broader and encompasses the overall environment and background, while framing is more focused on the specific presentation and packaging of information. Function: Context helps to set the stage and provide a backdrop for understanding, whereas framing actively shapes and influences the interpretation of specific information. Application: Context is often used to understand the broader implications and background of an issue, while framing is used to influence specific decisions and perceptions. Vaticinator: Okay, the function becomes a second thought hidden in the environment of the cyclorama. What passed by was not seen as out of place.
Jon: This was the topic at the bench this morning. Trying to be close in echo. Being mindful of the continuity and the strings tied to the characters. But does this impact the strings that are moving? A change of the settings need not destroy everything. At this time, still set while there are blooms. Another untrained changed the boded path that was set, and the panel decided to furl into a tangled mess now the palooka.” Well, that is what stuck from the conversation. Could it be that the changing of a fiefdom by work done here keeps the old and the new as one work? Building a new cyclorama. Inkle, having a massive shift in the path in that way, would change everything in the current context of either fiefdom. Would it be better to change it to a single and watch it here, along with the consumers of the pets, to rebuild, push the frame as needed adjust a part of the fiefdom. Terry: meaning both La tinta and Away forward would awake from the deep freeze with a new thinking. Mitchel: When walking out of the woods in the cyclorama, there was a string about to begin Vaticinator, wasn’t Cohen able and change the space through dreaming? It would be too far-fetched to use that to change things going forward.
Jon: Why, that does sound like a place to start. Maybe it would be better to write ideas down and then present the written work. Do that while the movie is watched and the floor is checked. Inkle: A better use of working time than a video and quietness. Mitchel: (bleep) Good, the snack is ready. Inkle: See what was meant by the saying that the bad outweighs the good when talking of devices.
Dennis Rasmussen: Got a greenhorn here that needs to be properly trained. A professional rodeo athlete undergoes rigorous training that prepares the body for the physical demands of the sport. Doug is a former Champion and now a personal trainer for many professional cowboys. Doug, please explain the goals of the training. Then, show how those goals are met. Try not to recreate the rodeo event, but to prepare the body’s neurological and physical responses for the chaos of the sport. Jobo Lage: Hi there, Doug. Guessing there’s a walk about the training grounds here. Doug: Training ground? No, no, no, this is the real ring; take a look at the roping trick that is taking place. It is a useful teaching point to start from in the form of training.
Jobo Lage: That is a sight to see there. Always wondered how it’s done. Doug: The training will include working on practicing bucking bulls or horses and using spur boards and drop barrels to create muscle memory. The training regimen is essential for the longevity of the career, as competing in a hundred rodeos a year. A need and a want to take care of the body to avoid injuries. Toting the barrels around the ring for a few days. Jobo Lage: Will it include being in the barrels?
Doug: Trust waiting a few days will seem like a great idea when that comes around. Dennis Rasmussen: Good to see the state flower can take flight. Doug: Honestly thought it would be a little higher up. Dennis Rasmussen: Guessing water is heavy. Jobo Lage: Aww! Doug: Off to collect the new guy, sir. Is there anything else? Dennis Rasmussen: Yeah, has there been a break in the training? Doug: Not as of yet. Guess it’s a good place as any. (yelling) Get on over here, Jobo. In addition to physical training, rodeo athletes also focus on skill-specific practice to enhance their performance. For instance, the importance of variations that incorporate the core and upper and lower extremities at the same time. These movements are crucial because in rodeo, athletes have to lift with one arm and spur with the opposite leg, which is an unnatural motion. But instead of doing it now, go and take a rest for the body, cause it’s been through enough for the last few days. Training also includes recovery and nutrition. This comprehensive approach to fitness helps rodeo athletes not only win world titles but also maintain a strong and healthy lifestyle after their competitive years. Jobo Lage: A good night’s sleep after all of that. Doug: Maybe the best med. Along with an ice bath. Jobo Lage: When interviewing, the comment about tossing in a dryer was made, and not far off.
Doug: Since the first hit was taken when the lights go on Friday, and survival of that makes the rodeo clown real. Jobo Lage: Feels a bit bonkers learning and training for a single night. Doug: Go on. Get some sleep; the rodeo is a day or two away.
Jobo Lage: Glad the thinking of lights out for the new clown. Now to see if there are a few answers hidden around this place that cloud elsewhere. The padding is hollowed out a little bit. Why would that be? With the way Doug runs things. Think there is nowhere to hide anything.
Puzzlement
3rd piece of puzzlement the energy carries
Amongst The Frames
A cleaner place. No: Now that the little line for the dustpan is gone. What is the real answer, cause cleaning is not an answer. Steel: That is very truthful. But it stopped the madness. No: The report’s head. Has an image of a swatter as a way of stopping a spider. Steel: Not making any calls, or is it a fly swatter? No: Swatter, fly swatter, any term leads to the bug’s death.
Steel: Why the station in the doorway? No: The Other rabbit has returned. Always no actions. Unless it be a mimic of No. Torch: Was thinking the mind would be a bit more aware than that.
Report: Now to finish what is unwanted to be here. POP! Torch: Ouch.
4th piece of puzzlement the energy carries
Late to the party
Block in the dark The reason for being late. There is no need to worry about being fired. Walking in the dark of a house proved to be a damaging endeavor, finding a toy building block. Broke the foot.
5th piece of puzzlement the energy carries
Used or Not
Why is a rain dance done? When is Dorothy to be here? Can’t afford a red lifesaver right now. Stop dancing. Why would the cost of a lifesaver be part of this?
6th piece of puzzlement the energy carries
The Quibbles of the Scribbles
Dusty: Why the callback of the older work? Bessie: Cause it does get skipped at times, and the work has changed since then. Dusty: Oh, cause the skill gets better working daily. At least, that is how it should go. Bessie: Can still read the rudeness in there. But there could be help with the links to the page given. Bard: Miss the quarry of words. But the real question is how the cyclorama gets changed after the writing work is turned over in Away-Ink. Does the dreaming of Cohen get put to use, and how? Bessie: Glad there is still a use of the thinking approach by Bard. Bard: Got to think to talk right. Dusty: Not according to a song in the first movie. Here are the links to those at the end, so they can be seen.
Bessie: That would be a wrong echo of the work. It was not a song. Bard: By the way, when is the ride of the bull to happen, Bessie? Bessie: Haha. I was hoping it was forgetting Bard or glossed over like the terms that could also be found. Bard: The terms Star, bar, and Bottle haven’t seen two of those terms yet. But the term starts is to Jobo Lage? Dusty: Let go with that for now. Bard: Okay! Dreaming of a star can symbolize aspirations and guidance. In dreams, stars often represent higher powers and a strong guiding principle in matters of morality and ethics, encouraging the dreamer to open their heart and follow their path. Bessie: Haha! Yes, that can be the right answer. To the readers this far… Thanks for the time and read. Please help support the site by subscribing, sharing, liking, or commenting; it all helps. As always, grateful for the support of the work. Find more with the links below.
Spiders away! Crow: How about the air no home dome? Torch: Don’t. Not is better to say. Good at the air sheet. Crow: Get close, so there is little need. Spiders away! Steel: Close that. Seal, seal, and the fireplace.
The place needs to be cleaned. It is not the best way to stop a bug, but it is a way. No dust. Just no dust. The beds. No, check the beds. There is dust here; there is dust.
No: Then lift the chair and sweep the dust away. Steel: Find the broom. Well, be a help. Torch: There may be a need for learning to do the sheet better.
1st piece of puzzlement: Twisted in the mind.
Puzzlement
2nd piece of puzzlement: Twisted in the mind.
Away-Ink: Becoming the clown bonkers
Bessie: In the show tonight, the words star, bar, bottle, and others can be pulled from the film. Instead of a traditional pilot, it looks like a passed memory. More to the point of Jobo Lage. The work done for a film that is said to be the breakout film in their career. While the opening is quiet, don’t be fooled. A guessing game does play out even in the stillness of the words. It is there when the movie Becoming the Clown ” is bonkers.” Dennis Rasmussen: Glad the buffet could be agreed on. Jobo Lage: Even though it’s a bit of an odd choice.
Rasmussen: Have a love for a good steak, stay away from cheap. Never heard of this place. Which may mean the same for the family. All in all, not going to just happen to walk in here. Without tipping the hand. Lage: Well, that should be covered while talking. What is the task trying to uncover in this investigation?
Rasmussen: A rodeo provides entertainment to a crowd that is watching two fighting spirits squaring off. A rider and bull ran from a gate and in the process. The cheers and jeers bring the place to life. The rider at that moment of the ride has to find balance. Emphasizing the need to feel the bull’s movements rather than wrestling with the animal. Another phrase is “lose your feet, lose your seat,” which reminds riders that their balance and control come from their lower body, particularly their thighs and feet. Now, this correlates and brings the focus of life. How it could relate, in some fashion, the whipping of the bull shows the speed at which life can go. While keeping the balance of the journey to be undertaken. Lage: Guessing from the comment at the start of this conversation. A weight is sliding out of balance. How can the family’s weight be placed back?
Rasmussen: Glad the ears are tuned on to it, can make getting to the point easier. The family show has been off for the last few weeks. The main concerns are around the clowns. While not waving a red cape, the painted face is kept bright enough to attract attention. It is the most common thing for the clown to be feared, and the fear gets a payoff at the rodeo. Sorry, this is the point, and being wordy is going to help out later. Now, like a bullfighter, the point for the Clown is to escape and use the tools of the ring. The barrels become shields from the horns. Though if it hits, the padding provides very little protection. Then again, being tossed in a dryer and thrown down the stairs leaves little room for feeling good. All that can bring a high. The crowd’s roar can be just as loud as the ride. For the clown’s protection of the rider who has been down or dismounted. Now, this is to say the undercover work being done is just that. Donning the make-up and costumes to be a rodeo clown and be what is described as the entry-level bullfighter.
Lage: Okay, going to be a new marking on the belt. What does that also mean by being a clown? Does it mean entertainment is needed for the crowd? Rasmussen: A notable quality for most clowns is providing laughs to the fans while the riders are getting ready for the ride. Sharpshooting is not typically featured at rodeos due to safety concerns for live animals, as gunfire could leave the livestock startled. Instead, rodeos emphasize traditional cowboy skills such as roping, riding, and other activities that align. The new show will be called The Greenhorn Clown. Try to learn the roping or riding of the rodeo show. Lage: Glad riding is at least known. What has been off with the clowns that an undercover job has to be done? Rasmussen: That would come back to the shield comment of the barrels. The padding of the barrels is not the best in the world as of late. The last few shows that the foam inserts have gone away. And the broken bones and injuries have the potential to increase a lot of expenses. Not to say… The cost is bad for good workers, but if the proper equipment is used for the shows. The injuries leave one wondering how it took place and why.
Lage: Guessing the performances has made the concerns about the equipment come to light. Are the pads just being removed altogether, or is it something else? Those few questions will be answered while working. Is there anything else that needs to be done before going? Rasmussen: To tell the truth, they need to change the look by a lot. It is to a shop for a fitting of the right look. Lage: A fitting of the right look.
Tammy: A flip of the hair to the front of the head and the long-gone look can be just that, gone. How about the crew cut look with tapered lines to look a bit ragged but keep enough to just get a job?
Anil: The outfit has to scream this way, Mister Bull. The bright orange makeup reflects the lights of the ring, and the same goes for the clothing. Lage: This outfit is the same as an interstate flower. Tammy: Good, double pay for the customer to see a clown get hurt, and the road rage gets paid off.
Rasmussen: How about that? An outfit that fits like a glove. Now it’s off to meet the real crew of the show.
Inkle: Everything is frozen; nothing can be done outside of these two ants being brought back. Mitchel: Wasn’t the question only posed for the ants, or was that to be a statement of what is going to happen? Then, I ask. Inkle: A given set of points that proves the need for the ants. Unlike Vaticinators, who do not use plants, ants “gather” information. Not all can listen to the wind. The parts of it can be used, though. Having hidden bugs can always be better for users. Jon: Glad the pause was hit. Where were the ants being dragged from? Inkle: The frozen cyclorama.
Terry: Still don’t like the fact that “La Tinta” is here. Mitchel: Wasn’t there a choice of actions made for the frozen cycloramas? Terry: A brainstorming of what could be done, not a choice. Vaticinator: Just pause the movie of the clown. Inkle: The clown? What clown’s movie? Mitchel: It is an undercover PI dressed as a clown to gather information on the rodeo. Supposed to watch this movie for OEB and brainstorm ideas for the two frozen cages to form a new show that has to frame a context. More in line with the movie. Inkel: Does this mean a palooka is to be built out and used on the two cages? Vaticinator: Actually, wait for the pause in the movie. A good question has been posed.
3rd piece of puzzlement: Twisted in the mind.
Used or Not
Blood: Something is? Diamond: Nothing is HAHAHA! Missing Blood: All good? Wise: What is with the comic strip Doc costume? Blood: The snicking makes sense now. Wise: What?
4th piece of puzzlement: Twisted in the mind.
The clone did it: The Five Missing in Baby Lake
(On the phone) Richard Avant: Commissioner. The interview with the family has taken place. The new commander allowed enough time between questions for the answer to flow. Though this interview gave a lead or two to check into, no real answers.
Commissioner: Good to know the next step of the case is at University Park. It would seem a second person has gone missing from a basketball coach’s call that a player had walked away from the court and received a joke for an answer. Avant: Alright, would there be a try not to misstep in this part too? Commissioner: The son of Rye Low.
(Writing) Amila Leap: The first interview shows a lack of understanding of the new placement. However, it could be a lack of consistency on the part of the interviewer in other cases. Be more reflective on this on Wednesday.
Avant: Heading to the other side of the lake. Got a missing basketball player. Leap: Parks and kids. Don’t get along here? Avant: Not today.
Jenny Homes: Empiric. Would it be possible to build a bio story for Rye Low and the foundation of the street B-Ball league? This is going to be the first step of getting the right numbers to get away from the Boss’s ideas for “The Wording.”
Empiric: What is going on, and how was it found out? Homes: While eating, a second person disappeared. The son of Rye Low has gone missing, and the headline, like the wheel, turns to the dark side. It would be a flop of a chase. So, place that bio and let the others place the bets. Then, a swoop-in report of the facts, and being a trusted source for the win.
5th piece of puzzlement: Twisted in the mind.
Late to the party
A light of a question On the way here, a cop pulled the car over, asking questions that made no sense. The light shining in the eyes and asking if the belief of being a descendant of a worm. Nunca había escuchado una verdad que hiciera que la preocupación fuera una necesidad hasta ahora. Incluso un cambio en la palabra hablada.
6th piece of puzzlement: Twisted in the mind.
The quibbles of the scribbles
Dusty: Looks like the space is set right. Bard: Why would the space be wrong? Dusty: The other two were here last week. Bard: Oh! Right, that was kind of odd. Dusty: Yes, kind of odd. What is known of rodeo clowns, Bard?
Bard: Well, that would be A common story for a rodeo clown that often highlights the dual nature of their role, combining entertainment with the critical task of protecting bull riders. These individuals, also known as bullfighters, put their lives on the line to ensure the safety of the cowboys while providing comic relief to the audience. For example, Dennis Halstead, a well-known Canadian rodeo clown, has had a career spanning over 20 years. Easily recognizable with his makeup and trademark yellow shoes. Halstead’s primary responsibility is to protect dismounted or downed riders, using his barrel as a shield, and though facing numerous near misses, including an instance where a bull’s horn came within a breath of hitting the face. Halstead’s job also includes providing entertainment, which creates. Performed stunts such as blowing up in an outhouse and riding a motorbike through a wall of fire, all while maintaining a commitment to the safety of the cowboys. Another notable figure is Flint Rasmussen, whose story is a testament to the bravery and dedication of rodeo clowns. Over a 23-year career, Rasmussen has suffered from over 24 broken bones, three concussions, a dislocated jaw, internal injuries, and a torn-off ear. Despite these injuries, continues to perform, driven by the love for the sport and the thrill of the arena. These stories illustrate the significant risks and the courageous spirit of rodeo clowns. Often the unsung heroes of the rodeo, they ensure the safety of the riders while keeping the audience entertained.
Dusty: Guessing the workplace into research was helpful with a puppet mind? Bard: Paying any amount of tribute to those brave enough to do that work needs to be there. Thanks for the time and reading. Please help support the site by subscribing, sharing, liking, or commenting; it all helps. As always, grateful for the support of the work. Find more with the links below.
Empiric: The true meaning of a dream symbol is often deeply personal and can only be fully understood through the dreamer’s associations and experiences. But for a show playing on the themes of dreams to bring drama to life now, it can be contradictory if that’s right or if the offering of logic was framed in the right way. A bull takes center stage for this play. A machine bull sits on stage in black. Bessie: Howdy! To the readers. Got to tame the bull before the start. While getting ready, let Empiric give the lesson on the bull and the puppet. Empiric: The symbolized meaning in a dream about a large black bull often symbolizes power and authority, indicating a sense of personal power and the need to assert or take control of a situation in waking life. There is a second meaning for bulls that also represents competitiveness, aggression, and stubbornness, reflecting feelings of frustration or a lack of support in certain struggles. Bessie, ready to ride? Bessie: Yes, how about the meaning of puppet? Empiric: The term for puppet is something else for dream and trust it’s understood. Dreaming of puppets usually implies anxiety about being controlled by some force, and it may also represent a fear of persecution or a feeling of being manipulated. What fun to have opposites in meaning for the show.
Inkle: Pause the show, please? Terry: What? Has yet to even get going. Inkle: The use of the device was restricted in the Away Forward ca…cyclorama, right? Vaticinator: It was.
Inkle: The two had had no restrictions. Why would that be? Terry: At the start of the device, the usefulness outweighed the problems. Then, the problem grew to be more than useful, and the last two were placed in the cage at OEB. The tech was slowly phased out of the main Orb by placing the device in a restricted capacity for use. Mitchel: A controlled measure. Terry: It was a needed measure to keep the orb. The circulation of information was too fast. Mitchel: Can be understood, just ask Vat about the quickness of a maze that had to be changed with the versatile way of reading the wind. Vaticinator: VAT! It is not the name. The name is Vaticinator. Mitchel: What forbodes thinking of training is added. Vaticinator: The intimation of the wind can pose a problem that needs only to be misguided before the changes that need not be seen. Inkle: At least the device’s quietness was more enjoyable. Confiscatory problems to the side. The two could be used for strings to be delivered to the customers. And instead of the single-toned walls there the booth of art could be used for a bit more. Vaticinator: Hackney, for the art booth to stay underground and not grow too big. Since cards were to be made, the order was to be massively oversized. Inkle: Yes, along with a controlled group to give the needed options for improvement of the strings going forward.
Terry: Got to be said, going to be a great experience building trust with the smartest. Jon: Alrighty, now that the new team can speak to each other and a new business plan is in place. Terry: What of the cyclorama? Inkle: Yes, what of those? Vaticinator: Finally, a point of order. Jon: The cycloramas are frozen. Once frozen, there will need to be a message going forward that shapes the ideas being said in the right way, but how does the context and framing of that stay in the right way? Vaticinator Context refers to the surroundings, circumstances, environment, background, or settings that determine, specify, or clarify the meaning of an event or other occurrence. Terry: With the idea that Inkle and Vaticinator have floated in for the string. How would the work? It provides the broader environment in which information or events are situated, helping to shape interpretation. Jon: The Differences between those can be easy to understand. But the need for the two cycloramas is to be cleared of the extras. Allowing the calming effect. Inkle: Would leaving two ants there be possible?
Terry: What is an ant? Vaticinator: That would be off-topic and for another time. Jon: Why? Inkle: The conversation boils down to three points, which are as follows. Scope: Context is broader and encompasses the overall environment and background, while framing is more focused on the specific presentation and packaging of information. Function: Context helps to set the stage and provide a backdrop for understanding, whereas framing actively shapes and influences the interpretation of specific information. Application: Context is often used to understand the broader implications and background of an issue, while framing is used to influence specific decisions and perceptions. These three points need help to be applied. The ants go unseen by the two and can allow the wanted message to go unchanged.
Vaticinator: Plants are used in a way forward. Though framing, on the other hand, is a more specific concept that involves the way information is presented or packaged to influence how it is perceived and interpreted. Mitchel: So, using the two as a focus group to improve the strings. Would be given the artwork and asked for a review through the device. As a way of offering new or needed pushes of information in the subtext of the request. This way, the needed context stays on point by taking over the company and asking for reviews. Terry: The images could be presented that way, and using the news too… Inkle: Is that of the Line of Head News? It has a form of confusion that should be left alone, and gives cover for the other things. Mitchel: For example, the context of a String for the customers might include the historical and the political climate. Framing can be seen as a subset of context, but it focuses on the specific mechanisms used to shape perceptions. For instance, a news article about a policy can be framed as a solution to a problem or as a cause of a problem, depending on the language and imagery used. The news could be a proclivity that adds confusion to that.
Vaticinator: Yes, the confusion could be helpful. Keeping the cycloramas in check, and this setting can help keep the desired context for each respective cyclorama. Good to know the reason. Mitchel: So, what is the next part of the show? Terry: Oh! Right, the pause. Almost forgot that was on.
Bessie: In the show tonight, the words star, bar, bottle, and others can be pulled from the film. But instead of a traditional pilot, a look at passed memories to the memories of Jobo Lage. The work done for a film that is said to be the breakout film in their career. While the opening is quiet, do not be fooled. It’s the guessing game that plays out even in the still of the night.
Puzzlement: Finding the images
1st piece of puzzlement: find the images: Inked Path: The details are debated.
Used or Not
2nd piece of puzzlement: find the images: Inked Path: The details are debated.
The Clone Did It: Five missing in Baby Lake
Richard Avant: Thanks for allowing the proper process. Annarella Lionrose: Welcome. Please be seated. Julan will be along shortly. The process is just fine, but why was the fingerprint pulled? Amila Leap: With the park’s state, no leads other than the fingerprint were found. Annarella: Nothing was found from the state of the park’s meaning. It was? Leap: From the call, Losi was left by or near the bench. Expanding…
Leap: From there, no footprint or other indications show. Near the bench or around the track. As if all trackable marks were erased. Annarella: And since the call was made. It gave a perduring path for the case file. Avant: Yes, sorry for taking the way the unseen reporting was thought to be when using the payphone.
Julan Lionrose: To be honest. No way to report without being found out. Annarella: Now, provide a statement and try not to be a writer. Julan: The morning hours before school, taking to the track with Rachel was becoming commonplace. It was in the name of improving performance for track and field. Shadow Park’s lopsided track proves the best way to…
Julan: Better run times. Though it’s not a needed part of this string. Rachel would normally be early, but was late today and was also assumed to leave early, only to see a splash of water. When coming from around the building after getting water. Which was odd cause the bottle was filled before running the track. Avant: A splash of water? Was it in line too the bench or elsewhere?
Julan: The Bench. Leap: Was there water near or around the bottle, like a hole was in it? Julan: Didn’t check the ground. The bottle top was loosened, but it was hanging from the bench. Leap: Was the bottle near any effects? Julan: No, all that was in a bag on the bench on the opposite side. Avant: When the bag was retrieved from the bench, were any marks noticed on the ground, or were the effects of Rachel’s seen anywhere?
Julan: Come to think of it, at the start of the run, Rachel was huffy. A spat with the aunt had the two running late, and Rachel left the bag in the car in the rush. Leap: Where would Rachel park? Julan: No car Rides with the aunt who works at the dockside in shipping. Annarella: Now that there are answers to give paths. May the day be kind.
3rd piece of puzzlement: find the images: Inked Path: The details are debated.
Late to the party
The reason for today A snaking sidewinder started by a rattlesnake, okay.
4th piece of puzzlement: find the images: Inked Path: The details are debated.
Amongst the frames
Steel: The bird is sitting there talking to a spider. No: Why would a spider and a crow be friendly enough to talk? Steel: Plotting a way for the bird to return the spider to the cabin. No: So, now the spider is the one banished earlier. Steel: Yes, and that same spider is a lining with a force. Just to find a new way into the cabin. No: How does the plot go?
Steel: Once upon a twisted web, there was a nest of baby spiders waiting for the breeze to begin the life of an operative. It’s the lifelong mission to catch flies in the webs the artisans are born to make. No: Do go on. Steel: Only. One. Spider decided to stay behind as the others floated away. It had a feeling that the cabin was the needed place for it to be, and through an open window, it found a home to stay. Bad dusting left the home be till the freeze.
Steel: Well, this was until a bunny takes over a scarecrow, that is. Now tossed away and seeing the shell that once held the home, the spider was known. A return home needed a friend for a fiendish framing of actions to form a fundamental falsifiability of the bunny’s form. No: What? Steel: The Spider is looking to undo the work done by No. No: But it was done, and it’s known how it goes away?
5th piece of puzzlement: find the images: Inked Path: The details are debated.
The Quibbles of the Scribbles
Jon: What is the part? Terry: It’s the part where the puppets talk. By comments normally? Dusty: Yes. Why the extra two? Jon: Guess since the comic for Away-Ink is going to be starting, Bessie and Empiric, this needs help.
Bard: Hmm…Which of the two or Cohen, Tony, Jane, or Vendor? Jon: Selective reading seems to be a problem. Those are frozen in time. Dusty: Well, at least it was freezing, not warming. Bard: Why? Dusty the string may have lost its grip and been lost. Bard: only cause the strings to slowly and steadily. Terry: Sadly, the reason for the changes is no wins, low views. So, a new way to play in Away-ink is coming; I just need to brainstorm some more with the other three. Bard: Glad it was only kind of lost, then. Dusty: For today, it’s a wrap for the week, so to the readers this far…Thanks for your time and reading. Help support the work below. With the link for the book, or read the other entries.
6th piece of puzzlement: find the images: Inked Path: The details are debated.
Terry: The cycloramas now need to keep correspondence secret from the pets. How is that done in a way that is not seen? Jon: Was the mind in complete checkout mode at the end of the office visit? Terry: Why wouldn’t the mind check after the Safety reg? It was a meeting that was nothing more than a PowerPoint presentation on a screen.
Jon: The last thing said by the executive… Never mind the name… Gave the list of the Cages; ergo, La Tinta would be transferred to the pet store. Terry: What?! Why would that change at the store? Jon: And all unauthorized pets would be dislocated from spreading into other cages or cycloramas. Terry: There is the news. Those two would list, too. What’s the name, Line of Heads News, or something like that? Jon: Why the news? Terry: Could be a way to control the flow of information? If the cleaned cage were to get the Extras of the dust bunny called Fluffy or the other Inkle. Jon: Meet that one soon. What about the Away Forward cyclorama that has no news? Terry: See that one soon, yes Jon: Selective reading and listing deadly combinations.
Customer: Hi, could there be a bit of help given? Terry: Sure, is there a question or something else to help with? Customer: What is the best way to set up the cage for the pet? Terry: Cage is the term used by OEB. At the store, it’s called a cyclorama. Though the setting in the interspace of both can be decided to look the same or different, depending on the viewing area of the cyclorama. The power source for the temperature control of the environment allows the tank can be placed. Customer: The setting of the temperature mean? Is it different from the room? Terry: How long has the cyclorama been setting for the pet to be placed since looking at the frozen pets? These pets have yet to be integrated into the cage. Customer: It was set a few days ago. Terry: In this case, it may be best to leave it for a week. It was a good, flat, stable surface used for the Cyclorama.
Customer: Yes, found a good price on salt water to make a pond. Terry: There is fresh water in there, too, right? Customer: What are the differences in the water? Terry: Umm. Guessing the weather automatically, and two ponds of water need to be bought. Just from the questions being asked.
Customer: Would this be an upsell implied? Terry: No, for the pet, fresh water is needed for drinking; otherwise, it could die from thirst. Customer, and the other thing?
Terry: Buying a pet is a bit like being a god to it. Hiding behind glass to watch its ongoings is the main focus of the experience with these pets. Customer: Is there a pet that can drink salt water and a frozen just placed in a… cyclorama would be fine for the pet, would it not? Terry: No. There is a difference. A well-adjusted pet is more active in the cyclorama. A pet just tossed in and left to wake up could cause some issues for the pet. A disoriented view of the surroundings would be had, and the confusion from it would lead the pet to a spot that is safe to hide in. There it just sits and watches till something else jarring happens to cause a change. The behavior would leave very little to almost no movement.
Customer: Now that sounds like a divine way for the pet to live. Terry: Good to know there is a pet. Customer: Thanks for the information on setting up the cyclorama.
Jon: Are the new pets ready to be encountered? Terry: Huh? Jon: Do try to avoid hearing what is hard to hear. Terry: Okay, what is the new pet meeting? Jon: Just head to the back storeroom.
Jon: Now, Terry. Please meet the new three by the names Vaticinator, Inkle, and Mitchel. Terry: Why? Vaticinator: Forget the Why. And get on to the meaning of being in a new cage. Inkle: From the gathered fragments here, it is called a cyclorama, though a prison, nonetheless. Terry: So, the smartest of the pets were brought here. For what reason? Where are the three that started with the store?
Mitchel: Guessing from the conversation, the main focus of the three is to report on the goings-on of each. What is the term? … Cyclorama? Jon: Integration is quicker with the mind had. Still the three here. What entities? Inkle: The space in which the fiefdom works. Mitchel: It comes down to the adroitness one has. Each of the three in the present has a different one. Reading the wind, things are shown quickly as they also change. Inkle: Ability to change with the use of costumes and gather information for the fragments after the last fiefdom was defeated. Vaticinator: Space control and the ability to see through plants. With the secrets now in the open, trust can be restored.
Terry: Okay, too short and pointed for a few questions to remain. The truth is that the last three were not used for spying. It would be better to say and not report. The group became a set of friends to build strings to be delivered to the customers. For more sales. Why is it called a Fiefdom? The trust built there with the three was only watching the floor. What Can Happen with the Cyclorama Jumping? Inkle: Being unseen should mean nothing is changing in any cyclorama. Is the trust extended to the three pets allowed to be part of the requisites of being in one place? Jon: Yes. Along with TV shows from this side that can be watched. Vaticinator: Umm, a show to pass the time could be good. Terry: The show with the host Empiric is starting, and I have to watch the clown bonkers string. At least there was a point in the meeting. That is remembered, not the other things.
Empiric: The stage for the night is to be set, and the dreams are given the stage to play. There is understanding in both context and framing a crucial for analyzing how information is communicated and interpreted in various ways. Carl Jung, a Swiss psychologist, proposed the concept of archetypes, which are universal symbols and themes that exist in the collective unconscious. These archetypes can appear in dreams and provide insights into the dreamer’s psychological development. Dream dictionaries and online resources provide interpretations for common dream symbols, but these should be used as guides rather than definitive explanations. The true meaning of a dream symbol is often deeply personal and can only be fully understood through the dreamer’s associations and experiences. Dreams are thought to help process and regulate emotions, providing a safe space for exploring and resolving conflicts, fears, or traumatic experiences. Sigmund Freud, another influential psychologist, believed that dreams are the fulfillment of wishes and that their latent content represents repressed wishes and desires. According to Freud, dream interpretation involves understanding the manifest content (the actual events and objects experienced in the dream) and the latent content (the hidden, symbolic meaning of the dream). Dream symbols are not fixed; their meanings can vary based on the dreamer’s associations and cultural context. For example, a snake might symbolize fear for one person but represent transformation for another. Analyzing dream symbols involves several methods, such as free association (allowing the dreamer to freely associate thoughts and emotions with dream elements) and amplification (finding common cultural or archetypal meanings). Dream dictionaries and online resources provide interpretations for common dream symbols, but these should be used as guides rather than definitive explanations. The true meaning of a dream symbol is often deeply personal and can only be fully understood through the dreamer’s associations and experiences. But for a show playing on the themes of dreams to bring drama to life now, it can be contradictory if that’s right or if the offering of logic was framed in the right way.
2nd piece of puzzlement- Inked path: See the crow. Just out there by the scare?
Amongst the Frames
Steel: A taunting!
John: Fixodent with ice? Oldman: Why? John: The smell. Oldman: That’s for soaking according to… This mind is not drinking. John: Soaking what? Oldman: The teeth. John: Drink, soak the same thing, just hold the water. Oldman: The teeth come out of the mouth. No: Too much. Now, to look out the window.
3rd piece of puzzlement- Inked path: See the crow. Just out there by the scare?
The Clone Did It: Five Missing at Baby Lake
Jenny Homes: Now, make sure the phone gets alerts. The new case makes it look like there is something else going on other than a few missing persons. Still have time before the training leaves for Muda INC… Sorry, where was the missing person that just pinged? At the University Park. Homes: Thanks!
Amila Leap: Now, is this the same banner family that owns the LRC, and which that mean? The investigation is heading to the estate of the Lionrose, which was the understanding when walking from the desk. Though it was said backward. Richard Avant: Right, the daughter of Annarella Lionrose is the one being questioned by the name of Julan. A sitting Member of four debate teams and track and field. Seems the two meet to train for running.
Leap just this morning. Avant: Nope. The choice to call the line was made when returning to the track, and the other was not there. While heading to the estate, it’s part of the process for the case work. It may be a fruitless endeavor. Leap: Granted, it’s part of the process, so why not try and get one answer while there? Avant: It could turn into a debate and then into a lesson in the law.
Leap: A lesson in law may be going too far. Avant: The family has members appointed to the Orb Organized Council by the sitting Head of State for the King. In the kindest of ways… Leap: Guessing! There is always a line for this place. Avant: Of course, the bad people have better pay and more of a reason to work. It is the benefit of jail that is to detract from the pay.
Leap: Does this mean that waiting to catch a case is a benefit? Avant: If thinking about it too hard. Now, returning to the conversation being had. The family is not a crime. It is the protective arm from crime. Leap: Depending on the thinking applied to the act. Avant: Framing anything makes a point, so frame the questions after knocking on the door.
Leap: Okay, the door is a spectacle. The logic that was being pushed should have been supported for the ride to the estate. Sorry for debating so hard. Avant: A minor thing at this moment; the job needs to be done, and the debate has just begun to heat up.
4th piece of puzzlement- Inked path: See the crow. Just out there by the scare?
Late to the party
A song or truth Money it’s a gas. What other names are there for money? Would there be anything else to help with today? Nope, thanks. Singing Money! It’s… a gas. Wish it were that easy to disconnect from things.
Used Or Not
The quibbles of the scribbles
Bard: Sorry for going off the rocker last week, talking about…
Bessie: Going to stop talking so that last time doesn’t happen again. Now, there is a show set for the puppets to be in with Away-Ink. Empiric: Right, the string of a clown bonkers is going to be a drama actor to be the three talking heads of, and a few other waking pets to stop that from happening. Dusty: The cleaning of cycloramas is the sound of the work; at least it is stress relief instead of real work.
Bard: That’s not exactly funny. Bessie: No, the pets are to be sent to the deep freeze for resale, right? Empiric: This is one of those things that sounds bad the more it’s said. Bard: What is the answer? Empiric: Bessie answered the question with the question asked. The second post for Inked after resetting
In a long step away, the comics were rethought, and the twisted line provided confusion. Though true, the strings were becoming a knot too hard to understand. The work was becoming congested, which means, at least to the reader, the strings cannot be enjoyed. A realignment of the titles leads to a new way of thinking about the comics and the number of titles. Could the work become a single title and provide a better rope once a week? With the support of finding the path on the older website of Away-Ink, it was where the titles came from. Join the website of Inked Path of Comics to see that title reset to a single formatted comic today. Away-Ink becomes a comic, and it joins with the still-standing comic strips of Late to the Party, Used or Not, Puzzlement, and The Clone Did It as a single collective comic.
Late to the party
A what? There is a lot to unpack in the yarn, from the form of work to being home and finding the big bird. Oh, sorry, have a work-from-home job.
Away-Ink: Becoming the clown bonkers
Obscurity 1: The day is starting anew, like the others before this day have gone away. Obscurity 2: Does it refer to a new start or a reboot of the method of thinking today? Obscurity1: A narrative can be changed in a string of lines that do not need to take place. Otherwise, twisted strings only become a knot to be had.
Obscurity 2: A restart typically involves beginning a new, often discarding the previous continuity to start from a fresh point. This can be seen in various forms. Obscurity 1: The format of things shifted and twisted to look old and yet feel new. A fiefdom of many becomes a single, more controlled fiefdom to present a balanced set of lines to be followed with only a few ponderings of the mind. Obscurity 2: Then, a new placement of the work is to take place for the day. Obscurity 1: A way of giving a new shine to the work. And the controlled placement of the change allows things to be twisted in a way that moves the work forward. Obscurity 2: Then travel in time and set the missteps of the given path to a new way. Obscurity 1: Erase the work already done. Now, knowing the path is needed, and the stated way is the wrong way to enliven what is there. Obscurity 2: Mindful of the continuity and the strings tied to the characters. But does this impact the strings that are moving?
Obscurity 1: A change of the settings need not destroy everything. At this time, an inkling on the frames is still set while there are blooms still given. Another untrained changed the boded path that was set, and the panel decided to furl into a tangled mess now the palooka was set by the trained to avoid the mess from escaping like the first. Jon: Oddly, the conversation is deeper. Why the extra bit this day? Obscurity 1: Well, to tell the truth, the path of the day only started to have a fun start to it, like a blank mind when it should be attentive to the small things. Jon: Looks like there is still shining to be had.
Jon: Going into the office this morning for a meeting about the cages at work. How will that affect the ongoings here? And something about a star passing away at the end of all this is a show to calm the cages at OEB. Terry: Work wasn’t there to be paperwork delivered by mail, and that’s it. Jon: No, why would? Still have to go to the offices at OEB, it’s in the contract. It wasn’t read in full, just signed. Terry: Not exactly. Every word of the contract was read. Better to say skimmed, and the normal parts skipped. and the normal parts skipped.
Terry: Has this walk happened before? Jon: Stop with the deja vu gab. For now, the paperwork has been finished, and the boardroom meeting is going to be about the extras for the store. Terry: Extras, of what kind? Jon: Why have the meeting if everything is just spilled here and not in the boardroom? Terry: To be more sound and not risible in a comment against the extras. Jon: At least there was education retained in the last walk.
Is this the room for working in a safer place, PowerPoint death? Terry: Nope, this is calming the cages. The other is down the hallway. OH, sorry. Jon: What is with the framing being changed in the show? Terry: Hosting to the comics’ same thing. Jon: Nope, it will be the comics and no host. Well, the host becomes a comic. Terry: Good, the work should be easier because of the change. Jon: The hand wave trick just looks kind of messy cause the eyes are not used to it. Terry: Easy to say a trick, but the work and paperwork to get that done is different. Lage is being killed off, according to the board here. The movie Sheriff Bonkers’ storyboards are from older comics for production. Jon: Skim these papers, too.
Executive 1: Sit and read the papers being passed about, please. Terry: Same as the ones on the board? Executive: Another meeting is taking place to help with the New safety regulations for the workplace. The changes will affect the store a bit as the cleaning of the cages here will be added to the cycloramas there. Terry: What pets are being taken from the cages here? Executive: While the cage is referenced as “Away Forward” and filmed from the store. Has it been noticed that the shadows are gaining names? Jon: Yes, thought it would be a common thing to start connecting that way.
Executive: There is a reason for the connections being made, and that could be it. After a bit, a need arises to clean the cage of the extras. The Title of “La Tinta” is to be a clean, compressed act of some odd movie and a dream journal. The ladder part will be remade into a show featuring the puppets with a dramatic play of the dream. Jon: Wasn’t that becoming the focus of the La Tinta? Executive: Yes, but the routine of the extras in that way could be devastating to the pets if the characters are not built for it. The two make comments and poke fun. Terry: Not a good recipe for constant deaths. Executive: While a good use of a simile, try not to use those going forward. The extras are killed off in a few ways or frozen to become pets sold from the store. Jon: Sounds easy? Terry: What about the puppet show? And the extras at the store. Executive: The same process. A deep string of death. Where the extras die and the cyclorama is cleaned, freeze the pets if they survive outside of Vendor, Jane, Tony, and Cohen. Terry: How does it all work out then? Strings and lines slow pacing was the format of the comics. Executive: That thinking is kind of still there, just comic versus the daily grinding amount that kind of got lost. Jon: The show of Empiric and the puppets, how does it play out for the work? Terry: Not skipping the questions. Executive: These should answer both. Of the questions posed. The empiric takes the dreaming more rounded instead of the hidden conversation that is currently set. The puppets play it out after that to bring the point home. Then, the other presented parts. Terry: Each puppet gets a big pop in the work. Like a talk show stage or a picnic type of setting. Executive: Yes.
Amongst the frames
Steel: With food eating. The next lesson can be taken. No: BURP Steel UGH! That is so foul. Old man: burp.
No: Nope, that is foul and needs a window. Steel: Is there a crow and a spider talking? No: Is John controlled without a door? Steel: That was the lesson earlier for the foot tap.
No: The foot? Wasn’t it the finger? Steel? Hey. Hey. Hey. Hey. Hey. Steel: Just. Wait. No: Hey. Hey. Hey. Steel: Watching birds. No: Well, the answer is easy; it is focused and unfocused for the win.
The Clone Did It: Five Missing in Baby Lake
Jenny Homes: Hi there, the name is Jenny Homes. Cook: Good name. Burt or Cook is just fine. What can be done to help? Homes: Need accommodations while staying in Baby Lake. Cook: Across the street and three doors down are the most used. If hoping for less foot traffic, then here is a newspaper. Could something else be found?
Homes: What is the best dish for this place? Cook: That will be out soon.
Lisa Canox: Think the basketball player lost something? Ted Canox: Nope, look, fish are going to school. Lisa: Fish don’t need to be trained. Sorry to bug you. Were there a few people walking down the path that way? Lisa: A…
Ted: Stop. Stranger at this point. Hi, sorry, youth and teaching. No worries. Ted: Lisa. Were there people seen walking that way? Lisa: Yes, earlier. Why could that not just be said? Enjoy that lesson. Thanks for the information. Ted: What song did the class sing? Lisa: Stranger danger… Oh, that’s why? Ted: Yes.
Richard Avant: Time to get the case file set. Here, the fingerprint yields a result. Rachel Losi is the missing person. The person last known to meet was Julian Roselion at Shadow Park, according to the aunt when called. Enjoy this already-started file. Amila Leap: So, nothing from the bench, and the phones have the first lead. Avant: Sad to say that’s the truth.
Before taking leave of the diner. Homes: Yes. The phone pinged another 3463 codes for the BIA scanner. Homes: And that would be? Cook, a Missing person. Avant: May need to slow things down a bit, cause that name carries a lot of weight to it. Leap: Questioning of a banner family should hold no bearing. Avant: It does. It also holds a massive misstep if the questions are not worded the right way. Leap: Too far and lose the only lead, and shade it too much, and it brings the law.
The quibbles of the scribbles
Bessie: It is Nice to see a change in the work and get a whole new feeling from it.
Bard: The comics no longer have ads. Puzzlement to the rescue for the confusion of an advert, too random, though, so much fun.
Dusty: A bit overly joyful for new work.
Bessie: It wasn’t nice to see new cards being presented for the work.
Dusty: Yes, the change of the comics to one is more interesting than a single piece of the work.
Bard: Right there, but kind of focused on the show with Empiric.
Empiric: Yeah, how is it a loss of one job to make it a bigger job that’s the same?
Dusty: How to keep the pay down, only allowed to be just over Brook. But the focus was on frozen pets.
Bessie: Yeah, that part of the conversation needs to be explained a lot. That sounds like no fun, killer puppets through dreams.
Brad: Don’t know about that. Puppet Killer is a horror-comedy film that has gained a following among fans of the genre. It features a psychotic puppet stalking high school students during a Christmas celebration at a cabin in the woods, referencing various horror movie icons. It’s a horror-comedy film about a psychotic puppet stalking high school students during Christmas. Puppet Combos game series featuring homicidal killers inspired by horror film slashers, including a psychotic puppet. Fans of horror comedies and references to classic horror films are likely to enjoy Puppet Killer.
Empiric: La Tinta would be that. The job to be done is to dream up words like the journal entries. Changed to around the store portrayed by the puppets.
Dusty: More work, yeah. To the reader, this far Thanks for the time and read. Please help support the site by subscribing, sharing, liking, or commenting; it all helps. As always, grateful for the support of the work. Find more with the links below.
De’gui: So, it’s known. Does the freezing of time expand the power? Steel: Could be, though sleep seems to change that. De’gui: OH. Could sleep unfreeze. Steel: Would be in the logic for thinking. Reason? But then the path being walked would take much longer. De’gui: Sleep for now, the path is best walked alone, though a dream to provide the answers the two trained received.
Rueda: What else can be found at the bottom of the trunk pulled by John, there? Bill: Not much more to be found of the trunk in truth. John: YAA! Shouldn’t be so tired, feel like having a bite. Wish Anything? Bill and Rueda: Pancakes sound good. John: I wonder why No is so tired out.
Torch: Welcome back to the branch. De’gui: Thanks. Is there a chance yet? Torch: Nope, had to make a couch, taking too long for the scarecrow to move.
Amongst the Frames: Undoing a way webcomic entry of puzzlement
De’gui: Then it’s not the scarecrow that is controlled. I may have rushed on the path. So, there was more to learn. Torch: The answer is not in a field and could be in a box. The biggest of boxes, there were two that controlled and three that answered. De’gui: A flight may be helpful then. Torch: A safe seat is then needed.
Torch: W! RAPPING-TAP!
rap tap Rueda: A swat to the ready and shall wait. Bill: Stop there, please. The crow cannot be swatted away. Rueda: Fine, for now. Bill: Thanks. A seat may be had good bird. Rueda: The swift swing is laid down.
Amongst the Frames: Undoing a way webcomic entry of puzzlement
De’gui: Thanks for the seat. Rueda: Crows can talk. De’gui: Why are there so many boxes? No: ZZZ!
Bill: The string that was about to be told to the reporter. So, yes, a crow can talk, and the reason for the box on the table is… Torch: (whisper) A real couch. De’gui: A good couch is for a long string, right? Z!
John: (under breath) Pancakes… Are Ready. Z! Rueda: Glad the swatter is not needed then.
John: Is that a crow or something else?
Bill: Something more. It’s from the woods that are cared for. Where youthful Thomas was met long ago. Yes, the one that is being looked for by Rueda. The woods are known in this house as the crow woods, but if asked by those not of the house, call it the hexed woods. A forester armed with an axe by others. But in truth, a rake for the leaves to be cleaned from the floor of the woods. A free bounty was had as long as the work was placed for the leaves that were wanted.
Bill: At least, that was the thinking then. To hear the twisted strings before going into the woods, the mind was seeing something else entirely than the truth of the forest. It was watching the actions taking place. It was even closer than the mind was allowing. This allowed the twisted yarns of fear to take hold for a moment.
It was not a set of eyes under a covering. It is watching from a cozy home that went unseen for the mind that could not see more. It was seeing the forest being cared for,
and unlike a joyful play that would be had by a child, it expected a little more from those who knew more.
No: Why chase a stick thrown away? Steel: It is a game of wills, and the first to give is the failure of the game.
Amongst the Frames: Undoing a way webcomic entry of puzzlement
Bill: In the woods, a yarn had been… Passed along through the years. That turned into fear and bewilderment. Had it been told in the right way, kindness is a truth that is better understood. It would be the message that is told instead of fear. The watching eyes of the woods had drawn ever closer when in the woods. Even if still hiding away from the view. And then the Crows started to gather,
Steel: The joke is not carrying well.
Bill: The thought was that it was the crows and animals of the forest watching and becoming numb to the presence of the forester in the woods. Then again, the numen of the forest could be seen seeing the phenomena that are all around and occurring in nature.
No: The king of the forest jokes not at the watching.
John: Even if the occurrences are seen as tech, and not nature. De’gui: Oh! What is that? Rueda: A guarded nature is best. Let go of the ideas of having.
Amongst the Frames: Undoing a way webcomic entry of puzzlement
Rueda: Now this is where the youthful becomes a friend over time, right? Bill: Yes, the forester, aka Bill Timbers, aka Bill Omar, becomes a friend to the youthful Thomas Bowdler, and constantly being in the woods at the same time allowed the meeting between the two.
Bill: While the youth wanted to know more, there was still a guarded nature for the other two in close quarters. Rueda: Many names, Bill Bill: It is why every family gets a few every month? It was watched like the actions before were watched by the woods, but this might be the reason the woods asked a favor. Then it was a sweet…
Bill: Old lady needing a hand. It was done without thinking. The lady would return a few times for a request of this or that, and it was met every time. While that was going on, the woods seemed easier to clean.
De’gui: Thanks. Rueda: Wasn’t the bird scary? John: Talking of sharing, and may think it’s tech still kindness. Bill: A powerful word, kindness, and the way it affects things. The woods got easier because of the kindness shown, but in the woods,
Amongst the Frames: Undoing a way webcomic entry of puzzlement
Bill: One only needs to look up to see the gathering of a little more. Just as easy as turning the head may prove kindness as a good thing to show. The boy never harmed the woods and became friends with all inside of it. And yet the eyes watched the boy. It was a blink of time when the disappearance occurred. The name has changed over the years. Thomas, on the other hand, became the woods that night.
Bill: Branches bowing from the weight of the crows gathered. There was an energy that was not supposed to be there. A light shakes in the hand from the growing feeling of fear. A set of eyes turned the attention to the dimly lit part of the woods,
While the eyes watched through the tears or with a dim light that could not cut through the darkness, before those searching the woods. The murder of crows where too strong, and the wait-and-see was the wrong idea.
and the twisting flight of the crows over the forester, and the boy was where the kindness paid was paid back. It can’t be truly said without shocking, and from a fear of breaking the current state of things.
Amongst the Frames: Undoing a way webcomic entry of puzzlement
The reason for De’gui being allowed in. The one crow that helped the forest that night. Is that not right? De’gui: Yes, and the murderer from then draws closer now, where the skills learned. Bill: No. John: See, it is tech. Rueda: Is this to mean the string twists even more from here in the work? Bill: Yes.
Amongst the Frames: Undoing a way webcomic entry of puzzlement
